Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot
Anchored by Charlie Cox’s measured performance as Matt Murdock (aka Daredevil), the series makes a strong first impression. (Supplied)
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Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot

Review: Charlie Cox’s Daredevil makes brutal and gripping return to form in Disney+ reboot
  • First 2 episodes of series make a strong first impression
  • Retains signature moody, atmospheric, violent aesthetic

DUBAI: After years of anticipation, reshoots and creative switcheroos, “Daredevil: Born Again” has finally arrived, and its first two episodes waste no time reintroducing audiences to the brutal, morally complex world of Hell’s Kitchen.

Anchored by Charlie Cox’s measured performance as Matt Murdock (aka Daredevil) and Vincent D’Onofrio’s chilling return as Wilson Fisk, the series makes a strong first impression.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Matt Murdock (@daredevil)

Marvel’s grittiest hero is back in top form, thanks largely to “Punisher’s” Dario Scardapane, who took over as showrunner mid-production.

The opening episodes set a relentless and heart-wrenching tone, beginning with a violent confrontation between Daredevil and Bullseye (Wilson Bethel) at Josie’s Bar that quickly escalates into a rooftop clash.

The fight sequences, a hallmark of the original “Daredevil” series from Netflix, remain meticulously crafted — visceral, bloody and free of unnecessary embellishment.




Charlie Cox as Matt Murdock and Nikki M. James as Kirsten McDuffie. (Supplied)

A year later, Murdock, still struggling with the burdens of his dual identity, now operates a new law firm alongside Kirsten McDuffie (Nikki M. James).

He appears to be forging a new romantic connection with psychiatrist Heather Glenn (Margarita Levieva). Yet, despite his efforts to build a more stable life, shadows from his past loom large.

Wilson Fisk, long absent from the scene, reemerges from the shadows with a new and menacing agenda, turning his ambitions toward the political arena.

His aspirations to become mayor of New York City suggest a fresh and dangerous evolution of his character — one that D’Onofrio plays with a practiced and quiet menace that is as captivating as ever.

Cox remains a commanding presence, portraying Murdock with an understated intensity that exudes rage, resilience and exhaustion, all at once.




Charlie Cox and Vincent D’Onfrio in ‘Daredevil: Born Again.’ (Supplied)

His reunion with Fisk — in a masterfully-crafted, tense diner scene — serves as a stark reminder that their ideological battle is far from over.

Visually, the series retains its signature aesthetic — moody, atmospheric, and unflinching in its depiction of violence. The action is raw, the dialogue sharp, and the stakes higher than ever.

All in all “Daredevil: Born Again” does not try to reinvent itself but instead refines what made its predecessor so compelling.


Amina Muaddi attends Alaia show in Paris

Amina Muaddi attends Alaia show in Paris
Updated 05 March 2025
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Amina Muaddi attends Alaia show in Paris

Amina Muaddi attends Alaia show in Paris

DUBAI: Romanian Jordanian designer Amina Muaddi attended the Maison Alaia Summer/Fall 2025 fashion show during Paris Fashion Week.

The footwear designer was spotted wearing an all-black ensemble featuring a sleek leather set with a structured, oversized silhouette. The standout element of her look was a fringe-detailed top that cascaded from her shoulders.

Her hair was slicked back into a bun, complementing her sharp, defined makeup, which featured a bronzed complexion, sculpted brows and a nude glossy lip.

Loli Bahia showed off an all-black look. (Supplied)

Muaddi watched from the front row as models walked the runway in the brand’s latest designs, including regional catwalk stars like French Algerian model Loli Bahia and Mona Tougaard, who has Danish, Turkish, Somali and Ethiopian ancestry.

Bahia wore a black, high-gloss, oversized leather coat with a padded structure, a wide belt cinching the waist, and long, voluminous sleeves. The coat also featured a cushioned collar wrapping around the neck.

Meanwhile, Tougaard was dressed in a fitted, long-sleeved burgundy bodysuit with an attached padded circular hood framing her face. The bodysuit was tucked into a high-waisted, off-white pleated maxi skirt that fell to the ankles.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ALAÏA (@maisonalaia)

“The Summer Fall 2025 collection began with thoughts of history, of geography, of sculpture, and always of women. They are all part of the clothes, within them,” the brand, which was founded by late Tunisian couturier Azzedine Alaia, said in show notes. 

The runway featured garments with kinetic movement, brought to life through pleats and drapes. Designs included hoods that framed the face, structured silhouettes and layered fabrics. The pieces were shaped to highlight the body's curves, incorporating padding. 

The venue featured sculptures by Dutch artist Mark Manders, highlighting the connection between fashion and art. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ALAÏA (@maisonalaia)

The show’s soundtrack, “Liefde,” composed by Gustave Rudman, featured Egyptian soprano Fatma Said’s rendition of “Aatini al-Nay wa-Ghanni,” with lyrics by Lebanese poet Khalil Gibran. 

Muaddi had a busy evening in Paris. After the Alaia show, we went to the Musée du Louvre to attend the Le Grand Dîner du Louvre, the fundraising event that celebrates the new Louvre Couture exhibition that opened on Jan. 24. 

Celebrities including Victoria and David Beckham, Michelle Yeoh, Danai Gurira and Jisoo arrived in style, while supermodels Carla Bruni, Naomi Campbell and Gigi Hadid were also in attendance.


‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest

‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest
Updated 04 March 2025
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‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest

‘The Crown’ actor Khalid Abdalla called in for police questioning over pro-Palestinian protest

DUBAI: British actor and activist Khalid Abdalla, known for his portrayal of Dodi Fayed in “The Crown,” has been asked to attend a police interview in connection with a pro-Palestinian protest he attended in London in January this year.

In an Instagram post, the 44-year-old actor revealed that he received a letter from London’s Metropolitan Police on Thursday. He stated that others, including 87-year-old Holocaust survivor Stephen Kapos, had also been “summoned” for interviews.

The matter concerns a demonstration organized by the Palestine Solidarity Campaign, which took place in Whitehall, London, on Jan. 18. The Palestine Solidarity Campaign (PSC) protest was adjusted to be a static rally after police curtailed organisers’ plans for a march past the BBC, which critics said was also near a synagogue. A group of protesters marched towards London’s Trafalgar Square from Whitehall after the rally.

Abdalla, who also starred in the 2024 thriller “The Day of the Jackal,” noted that it “remains to be seen” whether he or the others will face charges.

He expressed concern over the state of protest rights in the UK, saying they are “under attack” and must be defended.

The actor also made a reference to “No Other Land,” a collaborative documentary made by Palestinian and Israeli filmmakers that won an Oscar this week, in his online statement. 

“While there is an alarming rise in attempts to censor voices that stand up for Palestine, even as it faces open calls for ethnic cleansing, it will not work. The days of silencing and intimidation are gone. The stakes are too high, and as we can see today with ‘No Other Land’ winning at the Oscars, momentum is on the side of justice, and shared humanity,” he wrote.

“I will not be making further comment on the January 18 protest for legal reasons, for now, but in every other way, I will continue to put my energies towards the better world that we so clearly need, and which requires all of us to work together to turn into a reality,” he added.

Abdalla, born in the UK to Egyptian parents, has participated in multiple pro-Palestinian demonstrations and has used social media to call on Western nations to “stop arming Israel.”

He was  also a signatory to the Artists for Palestine UK open letter to the BBC in February, criticising the corporation's decision to pull a documentary about children's lives in Gaza after it discovered its 13-year-old narrator was the son of a Hamas official.


Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’

Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’
Updated 04 March 2025
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Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’

Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’
  • Dedicated to memory of Lebanese art connoisseur and curator
  • Nation has ‘beautiful’ culture, says heritage expert Lama Salam

DUBAI: The recently inaugurated Nuhad Es-Said pavilion at the National Museum of Beirut is envisioned as a space where Lebanese from all walks of life can unite to celebrate culture and art.

Dedicated to the memory of Lebanese art connoisseur and curator Nuhad Es-Said, it occupies a special area within the museum, creating an environment that encourages artistic and cultural conversations.

“We want to reiterate the museum’s position in society and the pavilion will be viewed as a cultural hub and unite all Lebanese people,” Lama Salam, a member of the National Heritage Foundation in Lebanon, told Arab News.

“As Lebanese people, our culture and heritage unite us. The more we sit down, research and discuss our heritage and see that we have so much to be proud of the more we realize how beautiful our culture is,” she added.

The pavilion features a restaurant and multi-purpose seating area that can be rented out and used for galleries, showcases and events.

Salam said the design of the pavilion features large gates and archways as an ode to the museum’s architecture.

“Gates were already part of the museum’s foundation but we chose to incorporate them more to symbolize something more significant,” said Salam.

“The gates act as symbolic portals from the past leading to the present and hopefully into the future. As you pass through all these gates you walk through the past, the present and, God willing, through to the beginning of the future.”

Salam described visiting the pavilion as a unique experience unlike offerings at traditional museums.

“When you sit in the restaurant, you are surrounded by history, the preserved iron gates, the historic wall, and a beautiful view of Beirut’s green racetrack with pine trees in the background.

“Since this pavilion is an annex to the national museum, which we consider a cultural treasure, it offers a unique experience,” she said.


 


Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  

Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  
Updated 04 March 2025
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Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  

Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  

DUBAI: Argentine model Georgina Rodriguez has joined forces with Lebanese dance group Mayyas, who won the 17th season of “America's Got Talent,” for a new campaign.

They starred in an advertisement for Egyptian real estate company Horizon Egypt Developments, where Rodriguez and the Mayyas promote Saada, a real estate development in New Cairo in Egypt.

The video opens with a formal outdoor gathering in a desert setting, where guests dressed in evening attire socialize under draped golden canopies and soft candlelight. 

Rodriguez arrives in a shimmering gold, form-fitting gown, drawing attention as she walks through the crowd.

She stops and watches as the Mayyas perform a choreographed routine to orchestral music. The dancers were dressed in black and gold outfits, paired with gold eye masks, moving in the synchronized formations they have become famous for.

During the event, a waiter hands Rodriguez a letter. After reading it, she makes a phone call and says in Spanish, “Pack my bags. She reached before me.” The scene then transitions to her getting into a luxury car and when the driver asks for their destination, she responds: “It’s always Saada.”

This is not Rodriguez’s first campaign for Saada. In October, she led a campaign for Saada Sahel, another real estate development on Egypt’s North Coast.

In the video, she was seen speaking on the phone, saying: “I already got the tickets, we are going next summer.”

For the campaign, she wore a white lace-trimmed sundress with spaghetti straps and a fitted bodice featuring intricate lace detailing.

The look was accessorized with a necklace from Egyptian brand Nado’s Jewelry’s Perle collection, which includes large, rounded links alternating between polished gold and diamond-encrusted surfaces. 

Teaming up with Rodriguez and winning “America’s Got Talent” are not the only global milestones for the Mayyas.

In 2023, Nadim Cherfan, the founder and choreographer of the dance troupe, reached a major career milestone when he choreographed part of Beyonce’s performance at the grand opening of Atlantis The Royal in Dubai.

“To the artist of my life Beyonce, thank you for making my dream come true. Thank you for being the humblest, most professional and phenomenal human that you are,” he shared on social media at the time.


Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 

Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 
Updated 03 March 2025
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Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 

Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 
  • Curatorial team includes local, regional and international contemporary art specialists
  • Vittoria Matarrese: Art Week Riyadh represents an extraordinary opportunity to engage with a city and region undergoing profound cultural transformation

RIYADH: The Visual Arts Commission has announced the curatorial team for the inaugural Art Week Riyadh, scheduled to take place from April 6 to 13 under the theme “At the Edge.” 

The team features artistic director and curator Vittoria Matarrese, associate curators Basma Harasani and Victoria Gandit Lelandais, and public program curator Shumon Basar. 

Matarrese, the former director of the Bally Foundation in Switzerland and the performing arts department at the Palais de Tokyo in Paris, praised the initiative.

“Art Week Riyadh represents an extraordinary opportunity to engage with a city and region undergoing profound cultural transformation. It is a platform to explore these shifts and reveal how tradition and acceleration coexist and evolve.”

Harasani said the project “is a testament to the remarkable progress the country has made in establishing itself within the global cultural narrative, while still preserving its authenticity and showcasing the very best the Kingdom has to offer.” 

Art Week Riyadh will take place at Jax district, featuring activities across the city. And a curated selection of artworks from more than 30 local, regional and international galleries and collections.

Additionally, it will have panel discussions, interactive sessions, and special events designed to showcase Riyadh’s cultural vitality, its evolving artistic landscape, and growing influence on the global stage.

Gandit Lelandais, a specialist in contemporary art from the Arab world, said the “fact that Art Week Riyadh exists demonstrates the intentional development of a thriving art ecosystem.”

There was “a clear vision to foster a healthy environment for growth among all the key players — galleries, artists, institutions, scholars, collectors, and more.

“This initiative is invaluable, offering a city-wide platform for critical discussions, dialogue, and reflection under one roof.” 

Basar said: “Art Week Riyadh offers a moment to frame everything that has happened in the arts in Riyadh, in the Kingdom, and in the region over the last years and decades. 

“And to dialogue that with global-scale conversations in an increasingly multipolar world.” 

The curators have broadened the concept of the theme “At the Edge” to create a program uniting leading cultural institutions, renowned artists, art patrons and enthusiasts, top galleries, and prestigious art collections.