Moral responsibility in the age of machine warfare

Moral responsibility in the age of machine warfare

Moral responsibility in the age of machine warfare
Every drone strike and every algorithmic decision carry the weight of moral responsibility. (AFP photo)
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In the artificial glow of Techville’s neon lights, the city gleams like a polished machine — a utopia of innovation, efficiency and wealth. Yet beneath its metallic sheen, the cracks of its ideals grow wider, exposing the fragile, chaotic reality of ethics in modern warfare.

Techville, a self-proclaimed beacon of progress, finds itself grappling with questions it can no longer ignore: What happens when the tools of tomorrow clash with the morality of humanity? How does one create coexistence in a world teetering on the brink of its own destruction?

The irony is inescapable. A city built on the promise of a brighter future now finds itself manufacturing instruments of destruction.

Samir’s story, though fictional, echoes across the globe — a child in the crosshairs of conflict, caught between the ambition of advanced weaponry and the simplicity of a wooden toy carved by his father. His life is a stark reminder that the cost of progress is often paid in innocence.

Techville’s most celebrated industry is its defense technology sector, a juggernaut of artificial intelligence, robotics, and quantum computing. “Efficiency for security” is its motto, yet the definition of security remains as elusive as ever.

For Samir, security is the absence of roaring planes and trembling walls. For the architects of war in Techville, it is the cold, calculated numbers on a risk analysis report.

Here lies the crux of the problem: The unpredictability of ethical content in war. Every drone strike and every algorithmic decision carry the weight of moral responsibility.

But who bears this burden? The programmers in their glass towers, insulated from the consequences of their code? The policymakers who sign off on missions with sanitized terms like neutralization or collateral damage? Or the society that cheers for the illusion of safety while its humanity erodes?

It is not just a question for Techville; it is a question for all of us, as we hurtle into an era where machines can kill, decisions are made at the speed of light, and the consequences of those decisions linger for generations.

For Samir, the sky — a symbol of boundless dreams and infinite potential — has become a source of terror. His story is the antithesis of Techville’s vision. While Techville looks upward to the stars with ambition, Samir looks up in fear. His wooden toy, carved with love, stands in quiet defiance against the cold, impersonal machinery that defines his nights.

Yet Samir dreams. He dreams of a sky without drones, of walls that do not tremble, of a place where children can sleep without wondering if tomorrow will come. His dreams, fragile yet persistent, hold a lesson for Techville and for the world: Progress without humanity is a hollow victory.

Techville prides itself on control — over technology, markets, narratives. But control in warfare is a mirage. The algorithms that power Techville’s defense systems are not immune to bias, nor are they capable of understanding the nuanced moral dilemmas of human conflict.

A drone can distinguish between a weapon and a toy, but it cannot comprehend the weight of a child’s fear or the grief of a parent.

Rafael Hernandez de Santiago

A drone can distinguish between a weapon and a toy, but it cannot comprehend the weight of a child’s fear or the grief of a parent.

Moreover, as Techville’s systems grow more sophisticated, they become more opaque. The city’s brightest minds cannot fully explain how their creations make decisions. This unpredictability is not just a flaw; it is also a threat. It is the kind of threat that turns the dream of a safer world into a dystopian nightmare.

The story of Techville and Samir calls for a radical rethinking of coexistence. If progress is to mean anything, it must begin with empathy, with the recognition that our lives are interconnected in ways that transcend borders, technologies and ideologies.

Techville’s leaders must take a page from the past — a past where respect and understanding were not seen as weaknesses but as strengths. The image of a classroom with a cross and the word “Allah” hanging side by side is not just a relic of simpler times; it is also a blueprint for a future where differences are celebrated, not exploited.

This is not a call to abandon technology but to humanize it: To create systems that prioritize life over efficiency, that consider the long-term consequences of actions, that aim not just to win wars, but also to prevent them.

In its quest to build the future, Techville has become a symbol of humanity’s oldest flaw: The belief that power can exist without responsibility. Its neon lights shine bright, but their glare obscures the shadows of the sky — the children like Samir, the families torn apart, the humanity lost in the pursuit of control.

The irony is that the solutions Techville seeks are not found in its labs or algorithms but in the simple, enduring values of compassion, respect and humility — in the soft hum of a mother’s lullaby, in the quiet strength of a father standing guard, in the dreams of a child tracing the grooves of a wooden toy.

As Techville debates its future, the world must listen to the cry for peace that echoes in Samir’s story. It is a cry that transcends borders, languages and technologies. It is a cry that demands we look beyond the immediacy of our ambitions and consider the legacy we leave behind.

The choice is ours: To continue on a path of unpredictability and destruction or to chart a new course — one where coexistence is not just a dream but also a reality, where the sky is a source of wonder, not fear, and where progress is measured not in profits but in the lives we touch and the peace we create.

Rafael Hernandez de Santiago, viscount of Espes, is a Spanish national residing in Saudi Arabia and working at the Gulf Research Center.

 

Disclaimer: Views expressed by writers in this section are their own and do not necessarily reflect Arab News' point of view

Israel’s far-right finance minister withdraws threat to quit coalition over ceasefire deal

Israeli Finance Minister Bezalel Smotrich. (File/Reuters)
Israeli Finance Minister Bezalel Smotrich. (File/Reuters)
Updated 7 min 20 sec ago
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Israel’s far-right finance minister withdraws threat to quit coalition over ceasefire deal

Israeli Finance Minister Bezalel Smotrich. (File/Reuters)
  • Hard-line National Security Minister Itamar Ben-Gvir and two other ministers from his nationalist-religious party resigned from Netanyahu’s cabinet over the deal

JERUSALEM: Israeli Finance Minister Bezalel Smotrich has withdrawn a threat to quit the government if Israel does not return to fighting in Gaza, several Israeli news sites reported on Monday.
Earlier this month, Smotrich opposed a ceasefire deal that aims to secure the release of nearly 100 hostages held by Hamas in Gaza in exchange for Palestinians held in Israeli jails, arguing it endangered Israeli security and stopped Israel from achieving its war goals.
Hard-line National Security Minister Itamar Ben-Gvir and two other ministers from his nationalist-religious party resigned from Netanyahu’s cabinet over the deal.
Smotrich stopped short of resigning but said if Israel agreed to a full end to the war before achieving its aims in Gaza — which include the complete destruction of Hamas — he and his party, Religious Zionism, would also leave the coalition.
Israeli Prime Minister Benjamin Netanyahu asked Smotrich to stay in the coalition to keep the right wing government intact and the finance minister agreed, Israel’s Yediot reported on Monday.
Under the multi-phase ceasefire deal, 33 Israeli hostages held in Gaza will be released before negotiations begin to agree the release of the remaining 65 and the full withdrawal of Israeli forces from Gaza.
Israel is due to release nearly 2,000 Palestinian prisoners and detainees as part of the ceasefire deal.
Some of the families believe the second stage will not be implemented and that their relatives risk being abandoned. They have staged a series of protests against the current deal.


What We Are Reading Today: ‘A History of Biology’ by Michel Morange

What We Are Reading Today: ‘A History of Biology’ by Michel Morange
Updated 32 min 20 sec ago
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What We Are Reading Today: ‘A History of Biology’ by Michel Morange

What We Are Reading Today: ‘A History of Biology’ by Michel Morange

This book presents a global history of the biological sciences from ancient times to today, providing needed perspective on the development of biological thought while shedding light on the field’s upheavals and key breakthroughs through the ages.

Michel Morange brings to life the dynamic interplay of science, society, and biology’s many sub-disciplines, enabling readers to better appreciate the interdisciplinary exchanges that have shaped the field over the centuries.


Western France put on high flood alert after storm ‘Herminia’

Western France put on high flood alert after storm ‘Herminia’
Updated 34 min 33 sec ago
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Western France put on high flood alert after storm ‘Herminia’

Western France put on high flood alert after storm ‘Herminia’

RENNES: France placed swaths of Brittany in the west of the country on red weather alert on Monday as a violent storm brought flood levels not seen in decades.

The “Herminia” depression has unleashed downpours especially in the Ille-et-Vilaine department, with administrative center Rennes experiencing its worst flooding in 40 years.

Weather service Meteo France warned that the situation could get worse.

Eight other French departments were on orange weather alert for flooding, flash floods or, in the case of the French Alps, avalanches.

“Unfortunately we haven’t seen the worst of the flooding,” the mayor of Rennes, Nathalie Appere, said late Sunday.

“Water levels will not begin to subside slowly until Wednesday.”

The city over the weekend evacuated some 400 residents living in streets near the city’s Saint-Martin canal, and turned gyms into temporary shelters.

The rising water lifted house-boats on the canal to the same level as cars parked in the street. Brittany’s western-most area Finistere was on orange flash flood alert on Monday, a level that was to be widened to the entire west coast on Tuesday, Meteo France said.

Herminia, which brought on the heavy weather over western France, follows Storm Eowyn which hit Ireland and the United Kingdom before the weekend.


Fingerprints of the Syrian war: How conflict affected Syrian art

Fingerprints of the Syrian war: How conflict affected Syrian art
Updated 43 min 14 sec ago
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Fingerprints of the Syrian war: How conflict affected Syrian art

Fingerprints of the Syrian war: How conflict affected Syrian art
  • Suffering ‘often becomes a powerful catalyst for impactful creative expression in era of rebuilding,’ Syrian artist Ahmad Elias says

RIYADH: Syria, where graffiti on one of Daraa’s walls was enough reason for a 14-year civil war to break out, causing distress and misery to the people in the country and outside its borders.

The civil war shattered all parts of Syria, once a thriving society with fascinating nature and rich history, and forced millions of people to flee the country for safer, more stable societies, carrying with their documents their memories of a place they once called home.

Syrian art was one form of expression for the people since the beginning of the war and continued to be after. Whether art is written or drawn, it carries a message, an emotion, or a story.

Ahmad Elias, a Syrian artist with more than 38 years’ experience in fine arts, has lived to witness the difference before, during, and after the war.

“It is natural for the average human being to be affected by the events around him, and it is more appropriate for the visual artist to be one of those most affected by his surroundings, as he is a being who carries delicate feelings and emotions and deals with images, formation and color,” he said.

Elias was born in Dayr Atiyah, Syria in the 1950s and has several years of experience during which he displayed his art in 14 local and international galleries.

“I am from a generation of artists who were taught by pioneers of fine art in Syria in the last century, most of whom studied art in Italy and Egypt,” Elias said.

“One of the most important professors whose guidance influenced me was Professor Afif Al-Bahnasi, may God have mercy on him, who used to direct us to benefit from the Arab and Islamic heritage.”

The Syrian artist told Arab News how his style was also influenced by other artists, especially during his early years.

“In my long artistic experience, I was influenced by the great artist Mahmoud Hammad, may God have mercy on him, who was the dean of the faculty of fine arts at that time. Through numerous exhibitions and shows, I developed my experience and introduced techniques specific to my art and style,” he said.

Elias was fortunate not to be directly exposed to the disasters of war and the unfortunate events that occurred in it, yet the significance of unfolding events still left a footprint on his work.

“Although I was not directly and tangibly exposed to the disasters of war and the unfortunate events that occurred in it, it affected my artistic works in terms of color connotations and expressive symbols; despite my keenness to keep such pains away from the artistic aspect of my works, which are characterized by a special abstract language,” he told Arab News.

Furthermore, artists who lived through the war and witnessed its horrors but did not leave Syria as refugees expressed the painful scenes in their own style, Elias said.

Some artists depicted the destruction and human suffering in a realistic way, others expressed the tragedy evident on the faces, and others depicted the sadness and pain in the faces of the bereaved and the crying of women and children.

“Many artists depicted and documented in their artwork the mass displacement and asylum movement fleeing death and destruction,” he said.

“Among those who left abroad and saw the death boats, they had tragic artworks depicting the boats struggling with the waves of the sea, including the human souls of women, men, and children, and telling many tragic stories and tales about the survivors of those horrors that make the body shudder and shake every conscience.”

Describing the devastation of war, Elias said: “The events of the war and its human tragedies will remain in the conscience of the Syrians, and the tragedy of the Syrians who were wronged with all kinds of injustice, abuse, displacement and destruction will remain a stain of shame in the history of those who claim to be civilized, humane and defend human rights.”

On the other hand, Syrian art is ancient and has a distinguished history that was demonstrated by Syrian artists at the beginning of the 20th century.

Artists have documented in their artwork all the events their country has gone through, all the great and tragic forms.

From Elias’s perspective, the artist is by nature “a witness and documenter of his era,” similar to a poet or a writer, and all arts, in all their differences, meet in common and unified orientations and goals, whether visual, literary or auditory. Each artist, he said, expresses themselves in their own language.

“Syrian fine art, with its deep roots and solid foundations, remains resilient despite the years of war and turmoil the country and its people have endured. These hardships will likely serve as a source of inspiration and a drive for rebuilding and renewal. Artists, as always, will stand at the forefront, as suffering often becomes a powerful catalyst for impactful artistic and creative expression,” Elias said.

“With the fall of the former regime in Syria, now consigned to the pages of history, beloved Syria will reclaim its noble, radiant, and cultured status. The foundations of a modern Syria will be built by the dedicated hands of its honorable citizens, with the support of its Arab brothers, led by the sisterly Kingdom of Saudi Arabia and its wise and visionary leadership.”


Vital civilian infrastructure in Sudan hit by surging violence

Vital civilian infrastructure in Sudan hit by surging violence
Updated 59 min 33 sec ago
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Vital civilian infrastructure in Sudan hit by surging violence

Vital civilian infrastructure in Sudan hit by surging violence

GENEVA: The International Committee of the Red Cross warned on Monday that surging attacks in Sudan had severely disrupted access to clean water and electricity for millions of people across the war-ravaged country.

“We are witnessing a disturbing pattern of attacks on critical civilian infrastructure so essential for people’s survival,” Dorsa Nazemi-Salman, head of ICRC operations in Sudan, said in a statement, urging all parties to “protect these vital facilities,” including power plants, water stations, and dams.

Since April 2023, Sudan has been engulfed in a brutal war between army chief Gen. Abdel Fattah Al-Burhan and his former deputy and head of the paramilitary Rapid Support Forces, Gen. Mohammed Hamdan Daglo.

The war has claimed the lives of tens of thousands of people, uprooted more than 12 million, and pushed many Sudanese to the brink of famine.

It has also decimated Sudan’s already fragile infrastructure, with large-scale attacks in recent weeks on dams and oil refineries.

Over the weekend, the UN said an RSF drone attack on a hospital in El-Fasher, in Sudan’s western Darfur region, had killed 70 people, including patients receiving critical care.

ICRC stressed on Monday that electricity and water supply disruptions also have dire ripple effects on the proper functioning of hospitals and critical healthcare.

Lacking access to clean water “undermines public health, significantly heightening the risk of cholera outbreaks and other health crises.”

The organization demanded that parties to the conflict “take immediate measures to protect critical civilian infrastructure, such as hospitals, water, and electricity installations.”

“It is their obligation under international humanitarian law and a commitment they made through the Jeddah Declaration of May 2023,” it said.

“Unless such measures are taken swiftly, civilians severely affected by the conflict risk losing access to essential services.”

ICRC highlighted that essential infrastructure like power plants and water facilities are considered under international humanitarian law as civilian objects that must be protected from direct attacks and the effects of hostilities.