Switzerland’s Nemo wins 68th Eurovision Song Contest after event roiled by protests over Gaza war

Switzerland’s Nemo wins 68th Eurovision Song Contest after event roiled by protests over Gaza war
Nemo representing Switzerland holds the Eurovision sculpture after winning during the Grand Final of the 2024 Eurovision Song Contest, in Malmo, Sweden, May 11, 2024. (Reuters)
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Updated 12 May 2024
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Switzerland’s Nemo wins 68th Eurovision Song Contest after event roiled by protests over Gaza war

Switzerland’s Nemo wins 68th Eurovision Song Contest after event roiled by protests over Gaza war
  • Nemo, 24, is the first nonbinary winner of the contest that has long been embraced as a safe haven by the LGBT community

MALMO, Sweden: Swiss singer Nemo won the 68th Eurovision Song Contest early Sunday with “The Code,” an operatic pop-rap ode to the singer’s journey toward embracing a nongender identity.
Switzerland’s contestant beat Croatian rocker Baby Lasagna to the title by winning the most points from a combination of national juries and viewers around the world. Nemo, 24, is the first nonbinary winner of the contest that has long been embraced as a safe haven by the LGBT community. Nemo is also the first Swiss winner since 1988, when Canadian chanteuse Celine Dion competed under the Swiss flag.
“Thank you so much,” Nemo said after the result from Saturday’s final was announced soon after midnight. “I hope this contest can live up to its promise and continue to stand for peace and dignity for every person.”
At a post-victory news conference, Nemo expressed pride in accepting the trophy for “people that are daring to be themselves and people that need to be heard and need to be understood. We need more compassion, we need more empathy.”
Nemo’s victory in the Swedish city of Malmo followed a turbulent year for the pan-continental pop contest that saw large street protests against the participation of Israel that tipped the feelgood musical celebration into a chaotic pressure cooker overshadowed by the war in Gaza.
Hours before the final, Dutch competitor Joost Klein was expelled from the contest over a backstage altercation that was being investigated by police.
Nemo — full name Nemo Mettler — bested finalists from 24 other countries, who all performed in front of a live audience of thousands and an estimated 180 million viewers around the world. Each contestant had three minutes to meld catchy tunes and eye-popping spectacle into performances capable of winning the hearts of viewers. Musical styles ranged across rock, disco, techno and rap — sometimes a mashup of more than one.
Israeli singer Eden Golan, who spent Eurovision week in Malmo under tight security, took the stage to a wall of sound — boos mixed with cheers — to perform the power ballad “Hurricane.” Golan shot up the odds table through the week, despite the protests that her appearance drew, and ended in fifth place behind Nemo, Baby Lasagna, Ukrainian duo alyona alyona & Jerry Heil, and French singer Slimane.
Eurovision organizers ordered a change to the original title of her song, “October Rain” — an apparent reference to the Oct. 7 Hamas attack that killed about 1,200 people in Israel and triggered the war in Gaza.
The show was typically eclectic Eurovision fare, ranging from the pop-zombie folk hybrid of Estonia’s 5Miinust x Puuluup to the folk-inflected power pop of Greece’s Marina Satti and Armenia’s Ladaniva and the goofy 1990s nostalgia of Finland’s Windows95man, who emerged from a giant onstage egg wearing very little clothing.
Britain’s Olly Alexander offered upbeat dance track “Dizzy,” while Ireland’s gothic Bambie Thug summoned a demon onstage and brought a scream coach to Malmo, and Spain’s Nebulossa boldly reclaimed a term used as a slur on women in “Zorra.”
Nemo had been a favorite going into the contest, alongside Baby Lasagna, whose song “Rim Tim Tagi Dim” is a rollicking rock number that tackles the issue of young Croatians leaving the country in search of a better life.
The contest returned to Sweden, home of last year’s winner, Loreen, half a century after ABBA won Eurovision with “Waterloo” — Eurovision’s most iconic moment. ABBA did not appear in person in Malmo, though their digital “ABBA-tars” from the “ABBA Voyage” stage show did.
A trio of former Eurovision winners — Charlotte Perrelli, Carola and Conchita Wurst — performed “Waterloo” in tribute.
Though Eurovision’s motto is “united by music,” this year’s event has proven divisive. Protests and dissent overshadowed a competition that has become a campy celebration of Europe’s varied — and sometimes baffling — musical tastes and a forum for inclusiveness and diversity.
Thousands of pro-Palestinian demonstrators marched for the second time in a week on Saturday through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a ceasefire in the seven-month Gaza war that has killed almost 35,000 Palestinians, according to the health ministry in the Hamas-run territory.
Several hundred gathered outside the Malmo Arena before the final, with some shouting “shame” at arriving music fans, and facing off with police blocking their path. Climate activist Greta Thunberg was among those escorted away by police.
Klein, the Dutch performer, was ejected from the competition after a female member of the production crew made a complaint, competition organizer the European Broadcasting Union said. The 26-year-old Dutch singer and rapper had been a favorite of both bookmakers and fans with his song “Europapa.”
Dutch broadcaster AVROTROS, one of dozens of public broadcasters that collectively fund and broadcast the contest, said that as Klein came offstage after Thursday’s semifinal, he was filmed without his consent and in turn made a “threatening movement” toward the camera.
The broadcaster said Klein didn’t touch the camera or the camera operator, and called his expulsion “disproportionate.”
Tensions and nerves were palpable in the hours before the final. Several artists were absent from the Olympics-style artists’ entrance at the start of the final dress rehearsal, though all appeared at the final.
Several competitors made reference to peace or love at the end of their performances, including France’s Slimane, who said: “United by music for love and peace.”
Nemo said the Eurovision experience had been “really intense and not just pleasant all the way.”
“There were a lot of things that didn’t seem like it was all about love and unity, and that made me really sad,” Nemo said. “I really hope that Eurovision continues and can continue to stand for peace and love in the future. I think that needs a lot of work still.”


Japanese car exhibition zooms into Ithra

Japanese car exhibition zooms into Ithra
Updated 07 February 2025
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Japanese car exhibition zooms into Ithra

Japanese car exhibition zooms into Ithra

DHAHRAN: Ithra, the King Abdulaziz Center for World Culture, is presenting a special vintage car exhibition, which began on Thursday.

The exhibition is part of the Japan Cultural Days event, hosted at Ithra headquarters in Dhahran to celebrate 70 years of Japan-Saudi relations.

The exhibition is part of the Japan Cultural Days event. (Supplied)

The exhibition is being held outdoors in the Energy Exhibit area, which provides a distinctive setting for this unique display.

Maha Abdulhadi, creative programs specialist at Ithra, told Arab News: “With help from Japanese classic car enthusiasts Ali Aldhamin and Nazar Alqlaf, we curated this display to showcase a broad range of vehicles that represent a significant chapter in the history of the Japanese car industry, which is highly appreciated in Saudi Arabia.”

The exhibition features 13 cars, most of which are owned by private collectors in Qatif, and spans a variety of classic models, modern designs, and concept vehicles. “This is a rare opportunity for car enthusiasts in the Kingdom to experience Japanese engineering and design up close,” Abdulhadi said.

The exhibition is being held outdoors in the Energy Exhibit area. (Supplied)

The display highlights the design, technology and innovative features of Japanese vehicles, with the cars available for viewing from 4 p.m. to 10 p.m. each day.

“This unique exhibit showcases Japan’s innovative designs, precision engineering, and passion for performance, enhancing the festival experience,” Abdulhadi said. “A Japanese car show as part of the Japan Cultural Days highlights Japan’s rich automotive heritage, fosters community engagement, and promotes cultural exchange. It also attracts car enthusiasts.”

The exhibition ends on February 8, marking the conclusion of the Japan Cultural Days celebration.


Cristiano Ronaldo celebrates his 40th birthday in Saudi Arabia 

Cristiano Ronaldo celebrates his 40th birthday in Saudi Arabia 
Updated 07 February 2025
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Cristiano Ronaldo celebrates his 40th birthday in Saudi Arabia 

Cristiano Ronaldo celebrates his 40th birthday in Saudi Arabia 

DUBAI: Portuguese football star Cristiano Ronaldo marked his 40th birthday in Saudi Arabia, surrounded by family and friends. 

Ronaldo hosted an intimate gathering at Nozomi, a renowned Japanese restaurant in Riyadh. The night featured a private performance by Puerto Rican artist Rauw Alejandro, who entertained guests with hits such as “Punto 40” and “Todo de Ti.” 

In videos shared on social media, the football star was spotted dancing alongside his partner, Georgina Rodriguez, and his mother. 

He shared pictures from the celebration on Instagram, and wrote: “Thank you all for the amazing birthday messages! Had a great day with family and friends, couldn’t wish for anything better.”

As part of the festivities, Al-Nassr, Ronaldo’s current club, presented him with a special birthday cake featuring images of his five Ballon d’Or trophies and childhood photos. The cake was also displayed at the intimate gathering.

Rodriguez shared a birthday message for Ronaldo on Instagram, writing: “Happy birthday to our great love. Thank God for bringing a man like you into my life, and thank life for giving us the greatest happiness — our family, our children. To a life together, always holding each other tightly. Wishing the best to the best.” 

The Kingdom went the extra mile to ensure the footballer’s milestone celebration was memorable.

The Light Ball at Boulevard World illuminated in celebration of Ronaldo’s birthday. The message “We celebrate with you, CR7. Happy birthday. Saudi loves you,” was displayed on the sphere alongside videos of the footballer performing his trademark celebration.

Rodriguez also took to Instagram to share shots of billboards in Riyadh lighting up to honor the star’s 40th birthday. 


REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two

REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two
Updated 07 February 2025
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REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two

REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two

DUBAI: Season two of Mo Amer’s semi-autobiographical comedy drama is apparently its last. Amer has said the events of the series had to stop before Oct. 7, 2023, to avoid the horrors that have since been perpetrated in Gaza overtaking the narrative. Though understandable, that’s a real shame, because “Mo” is one of the best shows on television, exploring incredibly complex and divisive topics — family, religion, imbalance of power, exile, mental health, parenthood, multiculturalism and much more — with an artful lightness of touch, without ever taking them lightly. In season two, the ensemble cast are once again excellent, always serving the story, never looking to outshine it.

Amer plays Mo Najjar, a Kuwait-born Palestinian refugee living in Houston, Texas. Mo, his mother Yusra (the superb Farah Bsieso), and his older brother Sameer (Omar Elba) have been waiting more than two decades to have their asylum case heard.

Season two begins with Mo in Mexico, six months after the events of season one saw him stranded there. He’s living with the aunts of his ex-girlfriend Maria (Mo believes the fact he told her to “move on” will not prevent them reuniting — he’s wrong), and his family’s asylum hearing is just days away, but bureaucracy is preventing him from returning to be with them.

In one of several examples of the way “Mo” tackles dark topics with rare grace and humor, Mo attempts to illegally cross back into the US but is captured by border patrol and incarcerated (though not before his country music impersonation nearly convinces his captors he’s a red-blooded American). When he does eventually get back ‘home,’ he finds the family olive oil business is thriving, and that Maria has indeed moved on, starting a relationship with an Israeli chef.

Seeing friends and family prospering without him isn’t something Mo is necessarily ready to celebrate. That’s one of the great things about the show: Amer is as comfortable pointing out Mo’s own failings — his neediness, his pride — as he is railing at, say, the Kafkaesque officialdom that plagues his family’s existence. “Mo” is beautifully balanced in so many ways — from the blend of tragedy and comedy to the mix of maddening realism and fantastical dream sequences. Even the family’s joyous return to Palestine in the finale must be weighed against their stoicism in the face of the iniquities visited on them by the Occupation.

“Mo” isn’t just a great show, but a necessary one.


A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra

A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra
Updated 06 February 2025
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A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra

A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra
  • Event promises a masterful blend of classical and contemporary arrangements, breathing new life into Abdul Wahab’s most iconic compositions
  • Concert includes Amal Hayati, a song immortalized by the legendary Umm Kalthoum in 1965 with lyrics by Ahmed Shafeek Kamel

DHAHRAN: The King Abdulaziz Center for World Culture, or Ithra, is honoring the legendary composer and singer Mohammed Abdul Wahab with a multi-day grand musical event, “Abdul Wahab: A Tribute to a Legend.”

The first show was held on Wednesday evening and will be performed live nightly until Feb. 8 at the Ithra Theater.

With a career spanning more than six decades, the Egyptian icon famously bridged the authenticity and rich heritage of Arabic music for generations — decades after his death.

Under the direction of Maestro Hisham Gabr, the event promises a masterful blend of classical and contemporary arrangements, breathing new life into Abdul Wahab’s most iconic compositions.

Archival footage played on a screen as the musicians performed live.

The performance featured a selection of Abdul Wahab’s timeless works, including “Khayef Aool Elly Fe Alby,” a 1929 classic with lyrics by Ahmed Abdel Mageed, originally performed by the composer himself. Another beloved piece, “Ya Mesafer Wahdak,” first performed in 1942 with lyrics by Hussein Elsayed, was also brought to the stage.

The concert includes “Amal Hayati,” a song immortalized by the legendary Umm Kalthoum in 1965 with lyrics by Ahmed Shafeek Kamel. The poetic masterpiece “Aghadan Alqak,” written by Alhady Adam and performed by Umm Kalthoum in 1971, further highlights Abdul Wahab’s remarkable ability to compose for the greatest voices of his time. A lighter, yet equally memorable piece, originally performed by Fouad Al-Mohandes in 1966 with lyrics by Hussein El-Sayed, adds a touch of charm to the evening’s repertoire.

The audience was treated to three Egyptian soloists; Mohamed Shatta, Ahmed Nasser and Hanan Essam, who came together for the grand finale song which got the entire crowd on their feet.

They ended with the romantic ballad “Ahwak,” made famous by Abdelhalim Hafez in the late 1950s, and which showcases the deep emotional resonance of Abdul Wahab’s compositions.

“I was singing along — we love Abdul Wahab. I always enjoyed his music,” attendee Amira Kashgary told Arab News after the show.

“I really enjoyed tonight’s concert because it was an opportunity to see Abdul Wahab, who represents an icon in Arabic culture, Arabic music. I grew up with his music. He is a musician for all generations.

“The performance was great, excellent in so many ways. The orchestra was fantastic,” she said.

“Ithra is really a cultural establishment that nourishes our souls and minds, and bodies as well,” she added.


Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series

Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series
Updated 07 February 2025
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Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series

Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series

DUBAI: US singing sensation Jennifer Lopez has been announced as the latest addition to the lineup of performers for Saadiyat Nights.

The global superstar is set to take the stage in the UAE capital on Feb. 20.

Fans can look forward to chart-topping tracks such as “If You Had My Love,” “Jenny From The Block,” “Love Don’t Cost A Thing” and “On The Floor.”

Fresh off her critically acclaimed Sundance world premiere of “Kiss of The Spider Woman,” Lopez is joining a star-studded lineup for the second edition of Saadiyat Nights, including Robbie Williams, Michael Buble, and Boyz II Men, with much-anticipated performances still to come from Christina Aguilera on Feb. 15, Gwen Stefani on Feb. 21 and Lionel Richie on Feb. 22.