REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two

REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two
Farah Bsieso and Mo Amer in season two of 'Mo.' (Supplied)
Short Url
Updated 1 min 15 sec ago
Follow

REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two

REVIEW: Mo Amer’s comedy drama ‘Mo’ makes triumphant return with season two

DUBAI: Season two of Mo Amer’s semi-autobiographical comedy drama is apparently its last. Amer has said the events of the series had to stop before Oct. 7, 2023, to avoid the horrors that have since been perpetrated in Gaza overtaking the narrative. Though understandable, that’s a real shame, because “Mo” is one of the best shows on television, exploring incredibly complex and divisive topics — family, religion, imbalance of power, exile, mental health, parenthood, multiculturalism and much more — with an artful lightness of touch, without ever taking them lightly. In season two, the ensemble cast are once again excellent, always serving the story, never looking to outshine it.

Amer plays Mo Najjar, a Kuwait-born Palestinian refugee living in Houston, Texas. Mo, his mother Yusra (the superb Farah Bsieso), and his older brother Sameer (Omar Elba) have been waiting more than two decades to have their asylum case heard.

Season two begins with Mo in Mexico, six months after the events of season one saw him stranded there. He’s living with the aunts of his ex-girlfriend Maria (Mo believes the fact he told her to “move on” will not prevent them reuniting — he’s wrong), and his family’s asylum hearing is just days away, but bureaucracy is preventing him from returning to be with them.

In one of several examples of the way “Mo” tackles dark topics with rare grace and humor, Mo attempts to illegally cross back into the US but is captured by border patrol and incarcerated (though not before his country music impersonation nearly convinces his captors he’s a red-blooded American). When he does eventually get back ‘home,’ he finds the family olive oil business is thriving, and that Maria has indeed moved on, starting a relationship with an Israeli chef.

Seeing friends and family prospering without him isn’t something Mo is necessarily ready to celebrate. That’s one of the great things about the show: Amer is as comfortable pointing out Mo’s own failings — his neediness, his pride — as he is railing at, say, the Kafkaesque officialdom that plagues his family’s existence. “Mo” is beautifully balanced in so many ways — from the blend of tragedy and comedy to the mix of maddening realism and fantastical dream sequences. Even the family’s joyous return to Palestine in the finale must be weighed against their stoicism in the face of the iniquities visited on them by the Occupation.

“Mo” isn’t just a great show, but a necessary one.


Meet Riyadh’s first French cheesemonger, Philippe Caillouet  

Meet Riyadh’s first French cheesemonger, Philippe Caillouet  
Updated 16 sec ago
Follow

Meet Riyadh’s first French cheesemonger, Philippe Caillouet  

Meet Riyadh’s first French cheesemonger, Philippe Caillouet  
  • ‘A good cheese doesn’t just feed your body, it feeds your soul,’ Caillouet tells Arab News 

RIYADH: When Philippe Caillouet imagines Riyadh’s future, he doesn’t see glittering skyscrapers or the construction cranes carving out Vision 2030. He sees cheese. 

Not the rubbery processed slices found in diners across the city. No, Philippe’s vision is one of hand-pressed wheels of camembert, buttery brie layered with the sharpness of Madinah mint, and alpine tommes with histories as rich as their rinds. 

At the Four Seasons Hotel Riyadh, where he oversees Café Boulud’s cheese cave and non-alcoholic wine library, Caillouet curates dozens of artisanal varieties to introduce Riyadh’s diners to the nuanced flavors of European cheesemaking. 

Philippe Caillouet. (Supplied)

“Cheese isn’t a commodity,” he says, standing in the cave’s hushed cool. “It’s a living product. It has terroir, history, personality. You can’t treat it like a block of butter.” 

Caillouet is Riyadh’s first French cheesemonger and he carries the title with pride. He also sports a tri-colored collar that marks him as a Meilleur Ouvrier de France, a national accolade given to his country’s finest craftsmen. 

The meticulously climate-controlled cave housing some 60 varieties of handpicked cheese. There’s gruyère, manchego, comté, and the indulgent vacherin Mont d’Or, which Caillouet serves baked and oozing, accompanied by non-alcoholic wine pairings from the library he also oversees. 

“It’s not only about having the best cheese,” he says. “It’s about knowing how to serve it — the right temperature, the right accompaniments, the right story. If a cheese doesn’t have a story, it’s just food. When it has one, it becomes an experience.” 

Born in Poitiers, the 56-year-old started his career in hospitality school, where an inspiring teacher instilled in him a passion for the “art of service.” From there, he worked his way up through the French hospitality circuit, running dining rooms at Michelin-starred institutions including La Palme d’Or in Cannes. But it wasn’t the gleaming service stations or polished silverware that captivated him — it was the cheese. 

Caption

“It’s similar to wine,” he says. “Cheese is tied to the land, the season, the hands that make it. No two wheels are ever the same.” 

By the time he opened his own fromagerie in the south of France, his reputation was firmly established. Yacht owners from Monaco, Cannes Film Festival organizers, and French Riviera gourmands made pilgrimages to his shop for perfectly aged Roqueforts and custom-made cheese boards, long before grazing platters became a trend. 

So what brought Caillouet to Saudi Arabia last year? Opportunity. 

“Cheese, as a concept, is still in its infancy in Saudi, but the people are curious, sophisticated, and hungry for new experiences,” he says.  

Nowhere is Caillouet’s panache more evident than in his handmade Paris-Madinah cheese — a creamy brie infused with the sharp, herbaceous mint of Madinah. 

“I was amazed by the mint here,” he says. “It smells like mint, tastes like mint — it’s alive. You don’t get that everywhere.” 

At first, it was offered discreetly to adventurous diners, but within weeks, word spread. Now, guests arrive asking for “the one with the mint,” often bringing friends or returning with family to try it again. “That’s how cheese becomes culture,” he says. “It spreads, person to person.” 

Riyadh’s diners, while adventurous, do arrive with preconceptions. Blue cheese, for example, can be met with hesitation, due to associations with overpowering flavors. 

“If you’ve only had mass-produced blue cheese with a year-long shelf life, of course you won’t like it,” Caillouet says. So, he introduces them to artisanal blues — creamy, subtle, with just the right tang. “When you explain why it’s different, people trust you. And then they fall in love with it.” 

Riyadh is rapidly becoming a global dining destination. “It’s alive, growing, full of potential. You just have to nurture it,” Caillouet says. 

Like the Kingdom, Caillouet is dreaming big. “Why shouldn’t Saudis have the same level of cheese as they do in Europe?” he asks. “They’re already flying to Paris for Chanel and Hermès — why not stay here and enjoy the best Gruyère or Camembert? The country deserves it.” 

At 56, he shows no signs of slowing down. “I don’t believe in retirement,” he says. “If you love what you do, why would you stop?”  

For Caillouet, cheese is more than his livelihood — it’s a purpose. “A good cheese doesn’t just feed your body, it feeds your soul,” he says, recalling a spring day in France when a bite of fresh chèvre stopped him in his tracks.  

“It tasted like sunshine, like the season itself. That’s what I want to bring to Saudi Arabia — cheese that makes you pause, think, feel,” he says. “That’s the future I imagine.” 


Review: Ferrell and Witherspoon can’t raise heat in lukewarm ‘You’re Cordially Invited’

Review: Ferrell and Witherspoon can’t raise heat in lukewarm ‘You’re Cordially Invited’
Updated 9 min 9 sec ago
Follow

Review: Ferrell and Witherspoon can’t raise heat in lukewarm ‘You’re Cordially Invited’

Review: Ferrell and Witherspoon can’t raise heat in lukewarm ‘You’re Cordially Invited’
  • Wedding planners collide in by-the-numbers rom-com

LONDON: Usually, the phrase “less than the sum of its parts” serves as a neat intro to an absolute evisceration of a movie. But in the case of new Prime Video rom-com “You’re Cordially Invited,” it’s a slightly more literal take. Because, as the trailer (and all the promo materials) would have you believe, this Will Ferrell/Reece Witherspoon movie is a high-energy battle royale between a pair of warring wedding planners at a double-booked venue, each trying to ruin the other’s ceremony by (initially) fair means, before descending into a series of foul-mouthed schemes and increasingly elaborate set-pieces.

But there’s actually little of that faux-antagonistic “Bride Wars” vibe about this movie from “Forgetting Sarah Marshall” and “Bad Neighbors” director Nicholas Stoller. In an attempt to make the two leads more than just cookie-cutter rom-com characters, each is given a fairly elaborate and emotionally nuanced backstory. Widower Jim (Ferrell) is desperate to throw daughter Jenni a romantic wedding that her mother would have loved, but winds up projecting his fears of obsolescence and solitude onto the young couple, while successful TV producer Margot (Witherspoon) wants to arrange the perfect wedding for her sister Neve, but struggles to hide her resentment towards her emotionally unavailable mother and her frustration with her wider family for not showing an interest in her life and career.

And those emotional complexities wind up being more engaging than the movie’s by-the-numbers comedy beats. Because while Ferrell and Witherspoon are both more than capable of shouldering the burden of the big laughs, these wedding-based capers are nothing we haven’t seen a hundred times before. But a slightly saccharine, slightly comedic take on fears of emotional estrangement and abandonment, fronted by two charismatic leads? That’s something different, at least.

So there’s a degree of frustration that the movie didn’t take the time to at least explore this slightly different direction. Instead, “You’re Cordially Invited” is the kind of film you’ve forgotten the second the credits roll — a fairly satisfying way to waste a couple of hours, but nothing to make it stand out from all those other wedding-based comedies.


Man charged in 2020 killing of rapper Pop Smoke pleads guilty to manslaughter to avoid trial

Man charged in 2020 killing of rapper Pop Smoke pleads guilty to manslaughter to avoid trial
Updated 06 February 2025
Follow

Man charged in 2020 killing of rapper Pop Smoke pleads guilty to manslaughter to avoid trial

Man charged in 2020 killing of rapper Pop Smoke pleads guilty to manslaughter to avoid trial
  • Corey Walker, 24, pleaded guilty Wednesday to voluntary manslaughter
  • He was accused of leading the group to the rented mansion where the 20-year-old New York rapper Pop Smoke was killed

LOS ANGELES: A man charged in the 2020 killing of rapper Pop Smoke during a robbery at a Hollywood Hills mansion accepted a plea deal, averting a trial on a murder charge that was to have started Thursday.
Corey Walker, 24, pleaded guilty Wednesday to voluntary manslaughter and two counts of robbery in exchange for a sentence of 29 years in prison, which he will receive at a later hearing.
He was the only adult charged in the case along with three who were juveniles at the time of the crime, including a then-15-year-old gunman. All have already reached separate deals.
An email sent to Walker’s lawyers seeking comment was not immediately answered.
He was accused of leading the group to the rented mansion where the 20-year-old New York rapper Pop Smoke, whose legal name was Bashar Barakah Jackson, was killed on Feb. 19, 2020, during what was to be a four-day trip to Los Angeles. A 911 call from a friend of someone in the house reported armed intruders inside, police said.
The robbers knew the address because a day earlier, Pop Smoke had posted a photograph on social media of a gift bag he had received and the address was on a label, authorities said.
The rapper was in the shower when masked robbers confronted him. During a struggle, the 15-year-old, pistol-whipped him and shot him three times in the back, according to court testimony.
The attackers stole his diamond-studded Rolex watch and sold it for $2,000, a detective testified.
Born and raised in Brooklyn, Pop Smoke arrived on the hip-hop scene in 2018 and broke out with “Welcome to the Party” an anthem with boasts about shootings, killings and drugs that became a huge sensation, and prompted Nicki Minaj to drop a verse on a remix.
He had several other hits, including the album “Shoot for the Stars Aim for the Moon,” which was released posthumously.


Is Azian Hauz really the best Thai in Riyadh?

Is Azian Hauz really the best Thai in Riyadh?
Updated 06 February 2025
Follow

Is Azian Hauz really the best Thai in Riyadh?

Is Azian Hauz really the best Thai in Riyadh?

Any restaurant claiming to provide the “best Thai food in Riyadh” should be ready to stand up to comparison.

Plucky The Villa, hyped-up Thai Soi, and well-loved Baan Thai are some contenders that might take issue with the declaration.

But Azian Hauz, whose social media accounts are emblazoned with the assertion of being No. 1, might turn out to be worthy competition.

A fairly unassuming exterior in the city’s Yarmuk district gives way to an airy, bright interior replete with what feels like a forest of admittedly artificial greenery.

While the service cannot be faulted, the uninspiring chicken satay did not get us off on the right foot.  

The skewered meat lacked panache and the sauce was thinner than I would have preferred.

At the same time, our lumpia rolls delivered several satisfying crunches of flavor.

For the main course, a red curry lamb shank emerged, a delectable Thai take on a slow-cooked favorite.

But the absolute standout was my companion’s beef sisig. Admittedly not a Thai dish, this incredible concoction of Filipino origin alone makes the restaurant a must-visit.

The salty, sizzling, umami-laden plate was made complete tableside by an egg freshly cracked and stirred into the liver, steak and onions to create an almost transcendent course.

This was capped off by an obligatory round of mango sticky rice, which delivered everything that could be asked of it.

So, does Azian Hauz live up to its bold claim to serve the best Thai food in Riyadh?

I think more culinary research is required before a conclusion is drawn.

Nonetheless, the restaurant is a solid all-round choice with some outstanding areas and I would not hesitate to recommend it.
 


A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra

A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra
Updated 06 February 2025
Follow

A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra

A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra
  • Event promises a masterful blend of classical and contemporary arrangements, breathing new life into Abdul Wahab’s most iconic compositions
  • Concert includes Amal Hayati, a song immortalized by the legendary Umm Kalthoum in 1965 with lyrics by Ahmed Shafeek Kamel

DHAHRAN: The King Abdulaziz Center for World Culture, or Ithra, is honoring the legendary composer and singer Mohammed Abdul Wahab with a multi-day grand musical event, “Abdul Wahab: A Tribute to a Legend.”

The first show was held on Wednesday evening and will be performed live nightly until Feb. 8 at the Ithra Theater.

With a career spanning more than six decades, the Egyptian icon famously bridged the authenticity and rich heritage of Arabic music for generations — decades after his death.

Under the direction of Maestro Hisham Gabr, the event promises a masterful blend of classical and contemporary arrangements, breathing new life into Abdul Wahab’s most iconic compositions.

Archival footage played on a screen as the musicians performed live.

The performance featured a selection of Abdul Wahab’s timeless works, including “Khayef Aool Elly Fe Alby,” a 1929 classic with lyrics by Ahmed Abdel Mageed, originally performed by the composer himself. Another beloved piece, “Ya Mesafer Wahdak,” first performed in 1942 with lyrics by Hussein Elsayed, was also brought to the stage.

The concert includes “Amal Hayati,” a song immortalized by the legendary Umm Kalthoum in 1965 with lyrics by Ahmed Shafeek Kamel. The poetic masterpiece “Aghadan Alqak,” written by Alhady Adam and performed by Umm Kalthoum in 1971, further highlights Abdul Wahab’s remarkable ability to compose for the greatest voices of his time. A lighter, yet equally memorable piece, originally performed by Fouad Al-Mohandes in 1966 with lyrics by Hussein El-Sayed, adds a touch of charm to the evening’s repertoire.

The audience was treated to three Egyptian soloists; Mohamed Shatta, Ahmed Nasser and Hanan Essam, who came together for the grand finale song which got the entire crowd on their feet.

They ended with the romantic ballad “Ahwak,” made famous by Abdelhalim Hafez in the late 1950s, and which showcases the deep emotional resonance of Abdul Wahab’s compositions.

“I was singing along — we love Abdul Wahab. I always enjoyed his music,” attendee Amira Kashgary told Arab News after the show.

“I really enjoyed tonight’s concert because it was an opportunity to see Abdul Wahab, who represents an icon in Arabic culture, Arabic music. I grew up with his music. He is a musician for all generations.

“The performance was great, excellent in so many ways. The orchestra was fantastic,” she said.

“Ithra is really a cultural establishment that nourishes our souls and minds, and bodies as well,” she added.