Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream

Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream
Britain’s Queen Camilla stops for an ice cream outside the Italian Parliament in Rome as part of a State visit in Italy, Apr. 9, 2025. (AFP)
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Updated 09 April 2025
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Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream

Britain's Queen Camilla celebrates anniversary with Italian pizza and ice cream
  • Queen Camilla is marking the 20th anniversary of her wedding to King Charles III during a state visit to Italy on Wednesday

ROME: Italians offered pizza and ice cream to Britain’s Queen Camilla to help celebrate the 20th anniversary of her wedding to King Charles during a state visit to Italy on Wednesday.
Camilla and Charles walked to the renowned Giolitti cafe in central Rome where the queen sampled an ice cream from a paper cup after the king had made a historic speech to the nearby Italian parliament.
Camilla had earlier been presented with a boxed pizza after attending an event at a school in Rome.
More formal dining will be on the agenda on Wednesday evening when Italian President Sergio Mattarella hosts a banquet for the royal couple at the Quirinale Palace.
Charles told parliament that Britain had been heavily influenced by Italian cooking. “I can only hope you will forgive us for occasionally corrupting your wonderful cuisine. We do so with the greatest possible affection,” he said, to loud laughter.


From ‘Tash Ma Tash’ to ‘Hobal’ — a legacy honored

From ‘Tash Ma Tash’ to ‘Hobal’ — a legacy honored
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From ‘Tash Ma Tash’ to ‘Hobal’ — a legacy honored

From ‘Tash Ma Tash’ to ‘Hobal’ — a legacy honored
  • Saudi Film Festival honors decades-spanning career of Saudi veteran actor Ibrahim Alhasawi
  • Ibrahim Alhasawi: Having witnessed the festival since its first edition in 2008, and being recognized alongside many fellow filmmakers I’ve worked with over the years, is truly an honor

DHAHRAN: “I felt an overwhelming sense of pride when I heard the news,” said Ibrahim Alhasawi, the Saudi veteran actor celebrated at this year’s Saudi Film Festival.

“Having witnessed the festival since its first edition in 2008, and being recognized alongside many fellow filmmakers I’ve worked with over the years, is truly an honor,” he told Arab News.

The 11th Saudi Film Festival, which concluded on April 23 at the King Abdulaziz Center for World Culture in Dhahran, honored Alhasawi’s nearly four-decade career shaping Saudi cinema.

Organized by the Saudi Cinema Association in collaboration with Ithra and supported by the Saudi Film Commission, the festival was held under the theme “Stories Seen and Told,” with a focus on “Cinema of Identity” to highlight film’s role in expressing personal, cultural and national identity.

A cornerstone of Saudi cinema, Alhasawi began in community theater in the 1980s before gaining prominence in television and film, including as producer and director. His notable works include the iconic series “Tash Ma Tash” as well as recent performances in “Hajjan” and “Hobal.”

He spoke candidly about the industry’s growth, saying: “The change has been tremendous. Since the founding of the Saudi Film Commission, we’ve seen a clear rise in both the scale and quality of Saudi productions.”

His work is rooted in cultural storytelling. “Art without identity loses its soul,” he said. “We’re seeing a powerful emergence of Saudi cultural identity through film. With stories like ‘Hobal’ and ‘Hajjan,’ we are introducing audiences worldwide to the depth of our heritage.”

Alhasawi also highlighted the importance of representing the Kingdom’s regional diversity, noting how different areas of Saudi Arabia bring distinctive perspectives and traditions that enrich the national narrative.

The festival paid tribute to the actor with a commemorative book, “From Village Theatre to the Global Screen,” featuring photographs, reflections and testimonials about his journey.

He met aspiring filmmakers at festival book signings and discussions, cementing his role as a mentor.

Of his acting process, he said: “I approach each role by exploring the character’s physical presence, social background and psychological depth. These layers help bring the performance to life with sincerity and nuance.”

The festival showcased 68 films from Saudi Arabia and the Gulf, including eight narrative features and 21 shorts, with “Hobal,” directed by Abdulaziz Alshlahei, standing out for its themes of cultural identity and resilience.

Ithra’s venues hosted screenings, panels, workshops and red-carpet events, blending film with musical and artistic performances to underscore cinema’s place in Saudi cultural life. 

By celebrating icons such as Alhasawi while amplifying new voices, the festival highlights Saudi cinema’s vibrant legacy and its growing global influence.


Irish band Kneecap say Palestine statements ‘aren’t aggressive, murdering children is’

Irish band Kneecap say Palestine statements ‘aren’t aggressive, murdering children is’
Updated 23 April 2025
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Irish band Kneecap say Palestine statements ‘aren’t aggressive, murdering children is’

Irish band Kneecap say Palestine statements ‘aren’t aggressive, murdering children is’
  • Kneecap concluded performance at Coachella music festival by projecting 3 screens of pro-Palestinian messages
  • Sharon Osbourne, a TV presenter, said group’s performance included ‘projections of anti-Israel messages’

LONDON: Northern Irish rap group Kneecap responded to calls for their US visas to be revoked after they displayed messages during their performance at the Coachella festival in solidarity with Palestinians in the Gaza Strip.

Kneecap, consisting of Moglai Bap and Mo Chara from Belfast, along with DJ Provai from Derry, told BBC Northern Ireland on Wednesday that their “statements aren’t aggressive, murdering 20,000 children is though,” in reference to Israeli actions in Gaza since late 2023.

The band concluded their performance at Coachella’s California desert music festival last weekend by projecting three screens of pro-Palestinian messages.

The first text said: “Israel is committing genocide against the Palestinian people,” followed by: “It is being enabled by the US government who arm and fund Israel despite their war crimes,” while the final message said: “F*** Israel. Free Palestine.”

Since October 2023, Israeli military operations in Gaza have killed more than 50,000 Palestinians, mostly women and children, while more than 100,000 others have been injured. On Oct. 7, 2023, Hamas attacked Israel, killing about 1,200 people and taking 251 hostages to Gaza.

The Irish band’s performance was not streamed on the festival’s official YouTube page, the BBC reported. During the performance, Mo Chara said: “The Irish not so long ago were persecuted at the hands of the Brits, but we were never bombed from the... skies with nowhere to go. The Palestinians have nowhere to go.”

During the second weekend of the Coachella festival, from April 17-19, the trio led the audience in chants of “free, free Palestine.”

The band is scheduled to perform at several shows in the US and Canada in the coming months. It said that almost all the concerts planned for their US tour in October have sold out.

Sharon Osbourne, a former judge on TV talent shows “The X Factor” and “America’s Got Talent,” urged US authorities to revoke Kneecap’s work visas following their performance at Coachella.

She said the band’s performance included “projections of anti-Israel messages and hate speech.

“As someone of both Irish Catholic on my mother’s side and Ashkenazi Jewish heritage on her father’s side, and extensive experience in the music industry, I understand the complexities involved,” she said.

“I urge you to join me in advocating for the revocation of Kneecap’s work visa,” Osbourne added.

Commentators on Fox News condemned and accused the group of bringing “Nazi” sentiments to America.

Kneecap criticized Fox News comments, sharing fans’ supportive messages and noting that they received thousands of endorsements compared to “hundreds of violent Zionist threats.”

US authorities have not commented on the case, and no actions have been taken regarding the band’s visas.


Scene Acting Institute holds its first workshop

Scene Acting Institute holds its first workshop
Updated 23 April 2025
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Scene Acting Institute holds its first workshop

Scene Acting Institute holds its first workshop
  • Led by renowned academic adviser Emily Tambour, the workshop saw the participation of notable Saudi actors, including Mila Al-Zahrani and Sarah Taibah
  • Institute plans to hold monthly workshops covering various acting techniques, each designed to enhance the skills and creativity of aspiring artists

DHAHRAN: The newly opened Scene Acting Institute in Alkhobar hosted its first workshop on April 22, focusing on the Meisner technique. 

Led by renowned academic adviser Emily Tambour, the workshop saw the participation of notable Saudi actors, including Mila Al-Zahrani and Sarah Taibah. 

The institute plans to hold monthly workshops covering various acting techniques, each designed to enhance the skills and creativity of aspiring artists.

Scene opened on April 18 with an event hosted by the Khobar Cinema Association.

The grand inauguration took place at Cinematheque in Alkhobar, attended by a diverse audience of cinema and theater enthusiasts eager to embrace a new era of artistic expression.

The opening ceremony featured artistic performances that captivated attendees, including three moving acting demonstrations accompanied by live music. 

An exhibition highlighting the history of acting was curated and presented by renowned Saudi actor Baraa Alem.

Mujtaba Saeed, the visionary Saudi film director and one of the founders of the Scene Acting Institute, described the launch as a groundbreaking moment for the Saudi art scene. 

“This institute signifies a response to the vibrant artistic renaissance currently taking place in our country,” he told Arab News. “With cinema and theater flourishing, we are proud to establish the first institute focused specifically on the art of acting.”

The institute’s curriculum has been meticulously crafted, drawing from both well-established acting techniques and Saudi cultural nuances. 

“Our programs are designed around an academic framework that incorporates both international acting approaches, such as Meisner and Stanislavski’s actor preparation, and our local traditions,” Saeed explained. 

“We envision this institute as a nurturing home for every passionate artist,” Saeed said. “Actors are the heart of our storytelling, bridging the gap between us, our scripts, and our aspirations.”

Saeed highlighted the need to redefine the relationship between actors and their audiences, aiming to enhance both cinema and theater with authentic voices that resonate with today’s society.

“Our institute aims to graduate a generation of actors who can express their unique stories and identities, contributing to a richer, more diverse artistic content in Saudi Arabia,” he said.

This initiative promises to make Saudi cinema and theater more accessible and relatable, both locally and worldwide.

As it embarks on this groundbreaking journey, the institute is setting the stage for a flourishing era of creativity and storytelling in the Kingdom.


Abu Dhabi gears up for 7th Culture Summit 

Abu Dhabi gears up for 7th Culture Summit 
Updated 23 April 2025
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Abu Dhabi gears up for 7th Culture Summit 

Abu Dhabi gears up for 7th Culture Summit 
  • 3-day program will feature keynote speeches, panel discussions, artist talks, and workshops
  • Impact of AI on the creative industries among wide range of topics to be discussed

DUBAI: The UAE capital is preparing to host the seventh edition of Culture Summit Abu Dhabi, a global forum for cultural exchange and dialogue, from April 27-29 at Manarat Al-Saadiyat. 

Organized by the Abu Dhabi Department of Culture and Tourism, the three-day event will bring together policymakers, artists, scholars, and innovators to explore the theme “Culture for Humanity and Beyond,” focusing on the intersection of culture, technology and global governance.

The program will feature keynote speeches, panel discussions, artist talks, and workshops. 

Confirmed speakers include Mo Gawdat, former chief business officer at Google X; philosopher Susan Buck-Morss; Prof. Iyad Rahwan from the Max Planck Institute; and Glenn D. Lowry, director of MoMA.

Other prominent voices set to appear include Sir William Sargent of Framestore, and Koyo Kouoh, executive director and chief curator of Zeitz MOCAA.

The panels will explore a wide range of topics, including the impact of artificial intelligence on the creative industries.

Sessions such as “AI Revolution: Redefining Creativity in the Age of Machines,” “Should Governments Regulate AI to Compensate the Creative Industries?” and “The Double-Edged Sword of AI in Cinema” will address the growing role of generative technologies in reshaping artistic expression, intellectual property and creative labor.

The summit will also revisit cultural policy discussions, hosting the second edition of the Mondiacult Ministerial Dialogue. The two-part session will bring together more than 10 ministers of culture to explore the influence of AI on culture and the role of the arts in peacebuilding and sustainability. 

Another key session will examine the implementation of the UNESCO Framework for Culture and Arts Education, building on outcomes from a related global conference held in Abu Dhabi in early 2024.

Highlighting culture as a public good, the summit will include sessions on environmental sustainability, heritage preservation, and cultural governance. Sessions will include “Turning Green: What Happens When Cultural Leaders Take Action for the Planet” and “From Ruins to Resilience: A New Era of Heritage Rehabilitation.”

Creative voices such as Thomas Heatherwick, Colleen Atwood, Refik Anadol, and Herbie Hancock will participate in artist talks and panels. The program will also feature conversations between prominent figures, including philanthropist Maja Hoffmann, architect Hashim Sarkis, and director Sir John Akomfrah, as well as a session on jazz and humanity led by Hancock and journalist John Ridding.

Attendees will also be able to engage with the work of regional talents, including poet and artist Alia Al-Shamsi, designer Omar Al-Gurg, and architect Abdalla Almulla, offering insights into the UAE’s growing creative sector.

The event’s global partners include UNESCO, The Economist Impact, Design Museum, Google, Solomon R. Guggenheim Museum and Foundation, and the Recording Academy. Additional collaborators range from regional institutions such as Louvre Abu Dhabi and Cultural Foundation to international cultural bodies such as Institut du Monde Arabe, TeamLab and the Herbie Hancock Jazz Institute.


REVIEW: ‘Andor’ proves yet again why it is best ‘Star Wars’ series

REVIEW: ‘Andor’ proves yet again why it is best ‘Star Wars’ series
Updated 23 April 2025
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REVIEW: ‘Andor’ proves yet again why it is best ‘Star Wars’ series

REVIEW: ‘Andor’ proves yet again why it is best ‘Star Wars’ series
  • Rather than big-picture heroics, ‘Andor’ looks at the minutiae
  • Tony Gilroy’s script could be ripped from real headlines today

DUBAI: In an era of recycled nostalgia and cookie-cutter franchise television, “Andor” has stood apart — an unflinching, cerebral, slow-burn rebellion against everything formulaic in “Star Wars.”

Its final season — the first three episodes are now available to stream on Disney+ — does not only stick the landing, it embeds itself in the emotional marrow of the galaxy far, far away, delivering arguably the most powerful conclusion to any “Star Wars” story to date.

Moving away from the big-picture heroics of the Jedi versus the evil Sith, “Andor” instead looks at the minutiae, immersing itself in the details of both sides of war: the cold machinery of oppression and the sacrificial cost of resistance.

Even as the rebellion reaches boiling point, audiences are treated to smaller, more personal moments.

There are the intricacies of a political wedding on Chandrila, a lunch scene involving an overbearing mother and her son’s new beau, and flashbacks to an adoptive father and his new daughter/mentee coming into their own.

The season especially spends time on the long-anticipated Ghorman Massacre, rendered in chilling, harrowing detail.

Fans have known about it in bits and pieces — a footnote in the birth of the Rebellion — but creator Tony Gilroy manages to turn it into a gut-punch, a brutal turning point that clarifies the stakes for the characters, and audience.

Written years before current political events, “Andor” feels eerily prescient. Its exploration of surveillance, radicalization, immigration, propaganda, and the erosion of civilian rights could be ripped from today’s headlines.

That is not accidental — Gilroy’s scripts are steeped in the rhythms of real revolutions, from the French Resistance and student revolts to modern authoritarian regimes.

The cast, once again, does a stellar job of bringing to life such a weighty script, involving significant time jumps and mounting stakes.

On the side of the resistance, we have Diego Luna (playing the titular Cassian Andor), Genevieve O’Reilly (Mon Mothma), Adria Arjona (Bix Caleen), Stellan Skarsgard (Luthen Rael) and Kleya (Elizabeth Dulau).

The imperial forces are represented by the excellent Denise Gough (playing imperial supervisor Dedra Meero) and Kyle Soller (Syril Karn), as well as Ben Mendelsohn, returning as Director Orson Krennic, a powerful Imperial official who reports directly to Emperor Palpatine.

With “Andor,” Gilroy and Luna have truly set the gold standard for what future “Star Wars” can be. Not just a space opera, but real stories of transformation and beauty.