What We Are Reading Today: ‘Talking Cure’ by Paula Marantz Cohen

What We Are Reading Today: ‘Talking Cure’ by Paula Marantz Cohen
Short Url
Updated 1 min 4 sec ago
Follow

What We Are Reading Today: ‘Talking Cure’ by Paula Marantz Cohen

What We Are Reading Today: ‘Talking Cure’ by Paula Marantz Cohen

“Talking Cure” is a timely and enticing excursion into the art of good conversation. Paula Marantz Cohen reveals how conversation connects us in ways that social media never can and explains why simply talking to each other freely and without guile may be the first step to curing what ails our troubled society.

Drawing on her lifelong immersion in literature and culture and her decades of experience as a teacher and critic, Cohen argues that we learn to converse in our families and then carry that knowledge into a broader world where we encounter diverse opinions and sensibilities.


Book Review: ‘Perfect Victims’ by Mohammed El-Kurd

Book Review: ‘Perfect Victims’ by Mohammed El-Kurd
Updated 2 min 38 sec ago
Follow

Book Review: ‘Perfect Victims’ by Mohammed El-Kurd

Book Review: ‘Perfect Victims’ by Mohammed El-Kurd

Mohammed El-Kurd’s “Perfect Victims: and the Politics of Appeal,” published in January 2025, is a scorching manifesto against the sanitized narratives of victimhood that dominate Western discourse on Palestine. 

With poetic precision and unyielding clarity, El-Kurd dismantles the “politics of appeal” — the insidious expectation that Palestinians, and other oppressed communities, must contort their suffering into palatable shapes to earn global sympathy. This is not a book that asks for understanding, it demands a reckoning.

Drawing from his lived experience in the occupied Sheikh Jarrah neighborhood of East Jerusalem, El-Kurd exposes the suffocating standards imposed on Palestinian bodies and stories. He unravels how the world’s empathy hinges on the display of “perfect” victimhood: passive, non-threatening, and quiet in its anguish. 

He writes against this expectation, refusing to strip the Palestinian struggle of its dignity and defiance. Instead, El-Kurd reclaims his community’s narrative as one of survival and resilience, asserting, “We are not just the sum of our wounds.”

“Perfect Victims” is more than a critique, it is an unmasking. El-Kurd meticulously dissects how language, media, and international institutions become tools of erasure. He shines a harsh light on the global complicity that demands victims remain meek to be seen as worthy of justice. 

Through case studies, historical context, and deeply personal reflections, he exposes how even well-meaning solidarity can morph into another form of control, reducing the oppressed to mere symbols stripped of agency.

El-Kurd’s prose is vivid and relentless. His words do not simply inform — they pierce. He does not appeal to the reader’s charity but instead confronts them with the uncomfortable truth: that selective empathy is itself a form of violence. His analysis extends beyond Palestine, offering a blueprint for understanding how narratives of victimhood are weaponized against marginalized communities worldwide.

Yet, what makes “Perfect Victims” truly extraordinary is El-Kurd’s unwavering refusal to accept the confines of victimhood. His narrative is a rebellion against the expectation of silence. He writes: “We are not here to perform our pain for your absolution. We are here to live, to love, to resist.” These words resonate as a battle cry — simultaneously a rejection of imposed passivity and an affirmation of life beyond occupation.

This is a book that refuses to be quiet. It is a work of profound defiance, carving out space for Palestinian voices to be heard, not as whispers, but as thunder. “Perfect Victims: and the Politics of Appeal” is a literary and political act of reclamation — a blazing testament to the enduring dignity of a people who refuse to let their story be written by anyone but themselves.


Jeddah spans tradition and modernity in new book exploring themes of cultural preservation

Jeddah spans tradition and modernity in new book exploring themes of cultural preservation
Updated 28 min 35 sec ago
Follow

Jeddah spans tradition and modernity in new book exploring themes of cultural preservation

Jeddah spans tradition and modernity in new book exploring themes of cultural preservation
  • Novel examines balance between cultural preservation and urban transformation
  • ‘The cats of Jeddah serve as a metaphor for the city’s enduring spirit’

RIYADH: While the falcon and camel are the creatures most associated with Arabia’s skies and deserts, cats have long captivated the hearts of the people, historically and religiously.

In his new novel, “City of Cats,” Rafael Hernandez de Santiago sets his narrative in Jeddah, Saudi Arabia, exploring where the past and future collide during urban transformation.

“City of Cats” follows Amir, an architect torn between the love he has for his city’s heritage and the push toward modernization. He and his allies face resistance from powerful, money-hungry developers as they propose a cultural park to protect one of Jeddah’s historic districts.

Hernandez draws the comparison that cats represent the soul of a city. Speaking to Arab News at his book launch hosted at the Spanish Embassy on Tuesday, he said: “The cats of Jeddah serve as a metaphor for the city’s enduring spirit, quietly witnessing and adapting to its ever-changing landscape.”

The novel delves into themes of preservation versus progress, communal unity, and resilience of tradition in the face of relentless modernization.

Hernandez is a director and senior researcher at the Gulf Research Center and a prominent newspaper columnist who regularly writes on matters relating to politics, international relations, and data and AI.

Of his reasons for delving into the world of fiction writing, Hernandez said, contrary to the straight edge of fact and policy analysis that his columns require, fiction allows for a more interactive curiosity on complex issues and more emotional engagement.

“Instead of debating urban development and cultural preservation through articles, I wanted readers to feel the impact of these changes through the eyes of characters living through them.”

The Spanish citizen, who has lived in Saudi Arabia for almost 25 years, said that from the ancient Nabatean city of AlUla to the rise of modern metropolises such as Riyadh, the Kingdom balances rich traditions and heritage stories with an ambitious vision for the future, making it a compelling setting for a novel.

“My time here has given me a deep appreciation for its history, traditions, and the unique identity of its cities.

“The experience of witnessing Jeddah’s evolution firsthand played a significant role in shaping the story of ‘City of Cats,’” he said.

Hernandez said that Jeddah is a city where history and modernity coexist side by side. Al-Balad, its historic district, carries stories of merchants, travelers, and families through the generations, who give it a distinct identity. Yet it is constantly evolving, with new skyscrapers and developments.

“While Spain has its own rich history and cities undergoing similar transformations, Jeddah’s story feels particularly urgent. It’s a city at a crossroads, and I wanted to capture that moment.”

Hernandez spoke about how Jeddah acting as Makkah’s gateway gives it a unique character. And that characteristic furnishings, from coral stone houses to intricate mashrabiya windows, reflect the story of the Red Sea and its maritime trade routes.

Contrary to Jeddah’s openness and free-flowing nature, Riyadh’s soul mirrors that of a wise and progressive leader who still stands strong in his structure and heritage, according to Hernandez.

“Like the stray cats that roam both cities, their souls are defined by their ability to survive, adapt, and persist despite the changes around them,” he said.

“City of Cats” is available in English, with Arabic and Spanish translations expected to follow.

Hernandez hopes to turn the novel into a musical one day, as the arts and entertainment scene in the Kingdom rapidly grows.

“The story lends itself beautifully to the format … Musicals are a celebration of storytelling, culture, and emotion — and Saudi Arabia is overflowing with stories and traditions waiting to be expressed in new, creative ways.”

He said that if Saudi Arabia were to start producing musicals, it would open the door for local talent; composers, lyricists, set designers, and actors who are eager to share their creativity with the world.


What We Are Reading Today: Lost Realms by Thomas Williams

What We Are Reading Today: Lost Realms by Thomas Williams
Updated 26 February 2025
Follow

What We Are Reading Today: Lost Realms by Thomas Williams

What We Are Reading Today: Lost Realms by Thomas Williams

In “Lost Realms,” Thomas Williams focuses on nine kingdoms representing every corner of the island of Britain.

From the Scottish Highlands to the Cornish coastline, from the Welsh borders to the Thames Estuary, Williams uncovers the forgotten life and untimely demise of realms that hover in the twilight between history and fable.

This is a book about those lands and peoples who fell by the wayside: the lost realms of early medieval Britain.


What We Are Reading Today: Endangered Eating by Sarah Lohman

What We Are Reading Today: Endangered Eating by Sarah Lohman
Updated 25 February 2025
Follow

What We Are Reading Today: Endangered Eating by Sarah Lohman

What We Are Reading Today: Endangered Eating by Sarah Lohman

In “Endangered Eating,” Sarah Lohman draws inspiration from the Ark of Taste, a list compiled by Slow Food International that catalogues important regional foods whose distinct ingredients are at risk of being lost.

Animated by stories yet grounded in historical research, “Endangered Eating” gives readers the tools to support community food organizations and producers that work to preserve local culinary traditions and rare, cherished foods — before it’s too late.


What We Are Reading Today: ‘How to Be Enough’

Photo/Supplied
Photo/Supplied
Updated 24 February 2025
Follow

What We Are Reading Today: ‘How to Be Enough’

Photo/Supplied
  • Hendriksen makes clear that self-acceptance is not innate but a skill honed through daily practice

Author: Ellen Hendriksen

This 2025 self-help book, “How to Be Enough,” by clinical psychologist Ellen Hendriksen, is a lifeline for anyone shackled by self-criticism or the relentless pursuit of perfection.

Hendriksen attempts to counter the toxic belief that achievement defines worth, arguing that perfectionism is less a virtue than an armor against vulnerability, and one that breeds anxiety and burnout.

Hendriksen’s approach is both clinical and deeply human. She weaves psychological research with raw, relatable stories — from high-achievers crumbling under self-imposed pressure to everyday struggles with inadequacy.

Her solution is what she terms “radical self-compassion” or treating oneself with the kindness of a close friend, especially in moments of failure.

Anchored by cognitive-behavioral techniques, Hendriksen advises readers to challenge distorted thoughts including catastrophizing or all-or-nothing thinking.

Mindfulness practices anchor individuals in the present, while realistic, process-driven goals replace the tyranny of unattainable outcomes, Hendriksen argues.

Hendriksen also confronts societal pressures — from social media comparisons to workplace demands — urging readers to redefine success on their own terms.

Practical exercises include journaling to track self-critical narratives, gratitude practices to shift focus from lack to abundance, and gradual exposure to feared scenarios to build resilience.

Hendriksen makes clear that self-acceptance is not innate but a skill honed through daily practice.

But here is the rub: Some may find the exercises daunting. Can journaling truly silence decades of self-doubt? Does “good enough” resonate in a world obsessed with excellence?

Hendriksen acknowledges the tension, offering no quick fixes but a promise: Liberation lies not in flawlessness, but in embracing imperfection.

Her prose is empathetic, almost conversational and the book’s strength is its unflinching honesty. It does not sugarcoat the work required but reframes it as a journey toward authenticity.

In the end, Hendriksen leaves us with a question: What if “enough” is not a ceiling but a foundation? By releasing the grip on perfection, readers may find not just peace, but the courage to live boldly — flaws and all.

Hendriksen’s “How to Be Enough” is a manifesto for the self-critical, a roadmap from exhaustion to empowerment.

It does not promise enlightenment but something better: a path to breathe freely in a world that demands you never stop running.