Noon By Noor showcases latest line at London Fashion Week

Sean Baker’s “Anora” won best film, best director and best actor for Mikey Madison at the Independent Spirit Awards on Saturday in what could be a preview of next Sunday’s Oscars: The film about a Brooklyn sex worker and her whirlwind affair with a Russian oligarch’s son has emerged in recent weeks as an awards season front-runner.
The Spirit Awards, held in a beachside tent in Santa Monica, California, is the shaggier, more irreverent sister to the Academy Awards, celebrating the best in independent film and television.
Host Aidy Bryant called it “Hollywood’s third or fourth biggest night.”
In accepting the directing prize, Baker spoke passionately about the difficulty of making independent films in an industry that is no longer able to fund riskier films. He said indies are in danger of becoming calling card films — movies made only as a means to get hired for bigger projects.
“The system has to change because this is simply unsustainable,” Baker said to enthusiastic applause. “We shouldn’t be barely getting by.”
“Anora’s” best film competition included Jane Schoenbrun’s psychological horror “I Saw the TV Glow,” RaMell Ross’ adaptation of Colson Whitehead’s “Nickel Boys,” Greg Kwedar’s incarceration drama “Sing Sing” and Coralie Fargeat’s body horror “The Substance.”
This year had several other possible Oscar winners celebrating. Kieran Culkin, considered an Oscar favorite, won the supporting performance award for “A Real Pain.” His director, co-star and writer Jesse Eisenberg won best screenplay for the film about two cousins embarking on a Holocaust tour in Poland.
Culkin was not there to accept — he also missed his BAFTA win last weekend to tend to a family member — but other Oscar nominees like Madison and Demi Moore were.
Madison won the top acting prize over Moore at the BAFTAs last weekend, as well, and stopped Saturday to pet Moore’s dog Pilaf on the way to the stage. Acting categories for the Spirit Awards are gender neutral and include 10 spots each, meaning Madison and Moore were up against Oscar nominees like Colman Domingo (“Sing Sing”) and Sebastian Stan (“The Apprentice”).
The documentary prize went to “No Other Land,” the lauded film by a Palestinian-Israeli collective about the destruction of a village in the West Bank which doesn’t have distribution. It’s also a strong Oscar contender in a competitive category. The filmmakers were not in attendance to accept the award.
“Flow,” the wordless animated Latvian cat film, won best international film. At the Oscars, it’s competing in the international film category and animation.
While the Spirit Award winners don’t always sync up with the academy, they can often reflect a growing consensus as in the “Everything Everywhere All At Once” year. The awards limit eligibility to productions with budgets of $30 million or less, meaning more expensive Oscar nominees like “Wicked” and “Dune: Part Two” were not in the running.

Sean Wang accepted best first feature and best first screenplay prizes for “Dìdi.” He said it was special to be sharing the stage with one of his stars, Joan Chen, who was also nominated for the same award 25 years ago for “Xiu Xiu: The Sent Down Girl.”
The Netflix phenomenon “Baby Reindeer” also picked up several prizes, for actors Richard Gadd, Jessica Gunning and Nava Mau.
Mau, who is trans, spoke about the importance of actors sticking together “as we move into this next chapter.”
“We don’t know what is going to happen, but we do know our power,” Mau said. “We are the people and our labor is everything.”
Other television winners included “Shōgun,” for best new scripted series, and “How to Die Alone,” for best ensemble.
“How to Die Alone” creator and star Natasha Rothwell was emotional while accepting the ensemble prize. The show was recently canceled after its first season.
Rothwell said it was “a show about the need to feel seen, to be valued just as you are.”
“For Black stories, visibility isn’t a privilege: It is a necessity,” Rothwell said. “We deserve to take up space, to be complex, to be hilarious and to be fully human.”

The generally lighthearted show took a moment to acknowledge the impact of the wildfires on Los Angeles. Bryant made a plea to anyone watching the show, in the audience or on the YouTube livestream, to help rebuild L.A. She pointed to a QR code that appeared on the livestream to make donations to the Film Independent Emergency Filmmaker Relief Fund, providing grants to alumni impacted by the wildfires.
The show also paid tribute to longtime Film Independent president Josh Welsh, who died earlier this year at age 62. Welsh had colon cancer.
Bryant said in her opening that it had been a “great year for film and a bad year for human life.” The “Saturday Night Live” alum kicked off the event ribbing some of the nominees, like Emma Stone.
“Emma was a producer on four nominated projects tonight,” Bryant said. “But even more importantly, her hair is short now.”
Stone also featured prominently in Eisenberg’s speech, when he picked up the best screenplay prize for “A Real Pain.” Since they met on the set of “Zombieland” in 2009, he said, she’s been supportive of his writing despite being “the most famous person I know” and produced both of his films.
“I think of her not as my producer, but as a fairy godmother, like I’m riding the coattails for her goodwill,” Eisenberg said.
The camera cut to Stone, teary and moved, in the audience. She and her husband Dave McCary’s production company Fruit Tree also produced Julio Torres’ “Problemista” and “Fantasmas” and Schoenbrun’s “I Saw the TV Glow.”
“I Saw the TV Glow” went into the show tied with “Anora” with six nominations. It left with only one, for producer Sarah Winshall.

RIYADH: Designers and models from across the Kingdom gathered at the Saudi Cup this weekend to showcase their designs, pushing the boundaries of creativity and innovation and paying tribute to the Kingdom’s heritage, landscapes and tradition.

“We love to see brands pushing those boundaries and giving us a surprise every year,” Fashion Commission CEO Burak Cakmak told Arab News.

Pushing boundaries in fashion is exactly what happened at the 2025 Saudi Cup, with designers and models celebrating the Kingdom’s architecture and landmarks, such as a thobe-inspired suit decked in mirrors and a silk wrap-around to replicate AlUla’s Maraya or a 3D headband that replicated the Kingdom’s first UNESCO World Heritage of Hegra.

When asked what themes or tributes the CEO had seen most often at this year’s event, Cakmak said that there was a focus on regional references.

“I think there’s always a regional reference, clearly the Saudi Cup is very much about Saudi culture and the country represents itself, especially designers based on where their origins are from, and heritage is from,” Cakmak said.

“So you will always see things that are very, very Najdi, very Hijazi, very Asisir, but at the same time are also thinking about, for example, sustainability using natural elements.

“And we’ve seen brands that are using dates, palm leaves, organic materials, to create looks for an exhibition.”

The CEO underlined that sustainability and creativity remain common and consistent themes at this year’s Saudi Cup.

“There are a lot of inspirations that are coming from elements of craft and architecture and also the regional references, but at the same time all the way to things that are very much inspired by nature and then the sky and then the positioning of the country, that’s basically giving new ideas around what design can look like,” he said.

For the fourth year, the Saudi 100 Brands has continued its partnership with the Saudi Cup, featuring a gallery of some of the top 100 Brands designers from bridal, couture, ready-to-wear, jewelry and bags.