JEDDAH: Iraqi Austrian filmmaker Kurdwin Ayub seems to have found her niche telling stories of women in distress. While her debut fiction feature film, “Sonne,” was awarded the Best First Film Award at the 2022 Berlin International Film Festival, her latest, “Moon,” sees the director wade into similar territory.
After clinching the special jury prize at the 77th Locarno Film Festival in Switzerland, it played at the recent Red Sea International Film Festival in Jeddah — and to me it was one of the event's highlights.
“Moon” trails Sarah (Florentina Holzinger, who is quite good as a foreigner bewildered by her surroundings), an unhappy martial arts fighter, who having hit the dead end in her career, takes up an assignment with a wealthy Jordanian family whose shady dealings soon make her uneasy.
Asked to train three sisters after her humiliating defeat in the ring, Sarah grabs the chance, hoping to find a new beginning and earn back her respect. But what awaits her there is beyond her imagination — a household that is run with eerie brutality by the girls' brother in the absence of their parents. Sarah is frightened when things begin to spiral out of her control, and with the sisters' steely defiance toward any sort of regulated life, “Moon” plays out like a thriller and boxes us into a deadly climax.
Ayub specialises in filming the loss of freedom and examines how women struggle circumvent this. The sisters' trips to the mall seem like one way of tasting freedom — despite the watchful eye of a burly bodyguard — and the audience feels every bit as claustrophobic.
Unfortunately, there are pitfalls in the narrative with some of the protagonist’s actions going unexplained but what keeps the work flowing is the beautiful relationship among the sisters and how they ultimately come to trust their trainer.