Lessons Saudis can learn from the Qatar World Cup to benefit their 2034 tournament bid

Lessons Saudis can learn from the Qatar World Cup to benefit their 2034 tournament bid
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‘New classics: designing a world cup for the future’ panel at the Misk Global Forum 2024. (AN photo by Huda Bashatah)
Lessons Saudis can learn from the Qatar World Cup to benefit their 2034 tournament bid
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‘New classics: designing a world cup for the future’ panel at the Misk Global Forum 2024. (AN photo by Huda Bashatah)
Lessons Saudis can learn from the Qatar World Cup to benefit their 2034 tournament bid
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‘New classics: designing a world cup for the future’ panel at the Misk Global Forum 2024. (AN photo by Huda Bashatah)
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Updated 21 November 2024
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Lessons Saudis can learn from the Qatar World Cup to benefit their 2034 tournament bid

Lessons Saudis can learn from the Qatar World Cup to benefit their 2034 tournament bid
  • During discussion at Misk Global Forum in Riyadh, the CEO of World Cup Qatar 2022 tells of the challenges and opportunities his country encountered hosting the tournament
  • He says one of the biggest hurdles was the intense media scrutiny and the constant battle against public perceptions of the country and region

RIYADH: Nasser Al-Khater, the CEO of FIFA World Cup Qatar 2022, shared his thoughts on some of the challenges and opportunities his country encountered when hosting one of the biggest global sports events, and passed on some words of wisdom during a discussion at the 2024 Misk Global Forum in Riyadh with Hamad Albalawi, the head of the Saudi Arabian Sports Federation’s Bid Unit for the 2034 World Cup.

Describing the 2022 event as “the best-ever World Cup in the history of the tournament,” Albalawi said 3.2 million tickets were sold, a 17 percent increase compared with the 2018 World Cup in Russia, and it was the most sustainable tournament to date.

As such, football authorities worldwide can learn many lessons from Qatar about hosting future World Cups and other major events, he added.

“You saw a World Cup that put the fan at the very center … that created an experience for fans that were able to engage with the tournament beyond the 90 minutes,” Albalawi said on Tuesday, the second and final day of the Misk event.

However, hosting the competition did not come without significant challenges. Some of the biggest that authorities had to overcome included the problems caused by the global COVID-19 pandemic, the logistics of organizing a World Cup in a country undergoing great infrastructural development, and issues related to the welfare of workers, Al-Khater said.

However, one of the most significant hurdles was the intense media scrutiny and the constant battle against public perceptions.

“From the bid stage, the challenge was people not taking us seriously, not seeing us as a serious contender,” Al-Khater said.

Toward the end of the bidding process, as people started to realize how strong a contender for host Qatar really was, “they tried to discredit us as much as possible,” he added.

Al-Khater spoke in particular about the effects reporting by the mainstream media has on public perceptions. He said the task of trying to counter this by educating people had at times distracted from the crucial job of actually organizing a major, unforgettable event.

However, people eventually began to tire of the constant narrative, he added, started to question it and reflect on social and political issues in their own countries, and in doing so they slowly realized a double standard might be at play.

Al-Khater said 1.4 million people visited Qatar to experience the World Cup firsthand, many of whom raved about the safety and beauty of the country, and the hospitality of the Arab world; an image that jarred with the picture painted by the mainstream media.

“Women said, ‘We have never felt so safe at football matches in our lives,’” he added.

Albalawi said that when the Saudi bid team entered the room with their counterparts from other nations, he realized that the average ages of the members of those other teams were in the 50s and 60s, while the average age of the Saudi team was between 31 and 32.

“It made me think to myself, do we have the experience? Do we have the knowledge? Do we have the know-how?” he admitted.

But after reflecting on Saudi Arabia’s Vision 2030 plan for national development and diversification, and how much it has achieved in the past nine years, he reconsidered his initial reaction.

“Although we do not have 20 years of experience, we have projects that we have managed that are more sophisticated than any other set of projects around the world,” Albalawi said.

“The Saudi youth is one of the most capable youths of the world. We have a lot of energy, we have a lot of will, we have very capable minds and we have a demographic that is the envy of every nation in the world.”

Asked how confident he is that the Saudi bid to host the 2034 World Cup will be successful, Albalawi replied: “Very confident. Saudi Arabia is a story of growth … of remarkable transformation. It will be written in the history books for decades and centuries to come; this era and this age will be remembered for the achievements we have created.”

Al-Khater noted that the experience of hosting the World Cup had a big effect in his country on young people in particular.

“The youth in Qatar were quite lucky that they have been able to witness a country that was growing together and living a sense of nationwide pride,” he said.

This feeling of pride and national unity instilled a sense of teamwork at the macro and micro levels that was reflected throughout society, from large national projects to small teams working in schools and universities, he added.

Great efforts were made to ensure the youth of the country were included in the planning process for the World Cup by creating programs in schools and online tools, for example, to help them understand the significance of the event to Qatar, and by recruiting students to work as volunteers at the event itself, Al-Khater said.

The World Cup can be used as a “developmental tool” and the youth of a nation are “your biggest ambassadors,” he added.

“Everywhere else, it is just the World Cup; for our part of the world, this is a strategic project and it is an ambition that goes far beyond sports.”

Albalawi’s message to Saudi youth was to embrace the prospect of the Kingdom hosting 2034 World Cup as an opportunity to “become your best in anything you do, whether that is the best engineer, football administrator, health professional, architect,” and “to see that growth in yourself and the connections around you all the way through.” He added: “The World Cup is an enabler to all of the different projects.”

Another piece of advice he offered to young people was to be diligent in everything they do, always triple-check that they have considered everything they need to, and to ask questions of everyone who can help them ensure they always stay ahead of the game.

Al-Khater’s advice to the people of Saudi Arabia was: “Always keep the big picture in mind because we can sometimes, through our own panic, veer off and start looking at micro issues.

“You need to hold yourself and start to zoom out. Learn how to manage up. Expectations are quite high in this part of the world, rightfully so. One big task that I have to go through is learning how to manage up and not just delivering on the ground.”


Kingdom strengthens cultural ties at Delhi book fair

Kingdom strengthens cultural ties at Delhi book fair
Updated 02 February 2025
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Kingdom strengthens cultural ties at Delhi book fair

Kingdom strengthens cultural ties at Delhi book fair

RIYADH: Saudi Arabia’s Literature, Publishing and Translation Commission is taking part in the New Delhi World Book Fair, being held at Pragati Maidan from Feb. 1-9.

Its involvement is part of ongoing efforts to strengthen cultural cooperation between the Kingdom and India, reported the Saudi Press Agency on Sunday.

The commission aims to highlight Saudi Arabia’s role in the global cultural and literary landscape, raise awareness of its heritage and highlight its publications and contribution to the international literary scene. It also seeks to promote cultural and intellectual exchange between the two countries.

The commission’s pavilion features its literary and cultural initiatives, including “Tarjim” which supports Saudi Arabia’s translation movement. It also hosts sections dedicated to the King Salman Global Academy for the Arabic Language and the King Fahd National Library.

Saudi Arabia was previously guest of honor at the 2024 New Delhi World Book Fair, where it organized various programs and events reflecting the Kingdom’s cultural and creative landscape.


Syrian Arab Republic president arrives in Saudi Arabia for first foreign visit

Syrian Arab Republic president arrives in Saudi Arabia for first foreign visit
Updated 02 February 2025
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Syrian Arab Republic president arrives in Saudi Arabia for first foreign visit

Syrian Arab Republic president arrives in Saudi Arabia for first foreign visit
  • The president is accompanied by the country’s foreign minister, Asaad Hassan Al-Shibani

DUBAI: Syrian Arab Republic’s President Ahmed Al-Sharaa arrived in Saudi Arabia on Sunday in his first foreign trip since he assumed power, local media has reported.

Syrian state news agency Sana earlier reported the president was accompanied by the country’s foreign minister, Asaad Hassan Al-Shibani. 

Al-Sharaa will meet Saudi Crown Prince Mohammed bin Salman in Riyadh, SANA reported. 

A picture posted on X by the Syrian presidency showed Al-Sharaa and his foreign minister en-route to Saudi Arabia. 

Al-Sharaa has been appointed Syrian Arab Republic’s president, almost two months after his group helped topple Bashar Al-Assad.

Last month, Saudi Foreign Minister Faisal bin Farhan has visited Damascus and said the kingdom was engaged in talks with Europe and the US to help lift economic sanctions imposed on Syrian Arab Republic that had decimated its economy.


KSrelief’s humanitarian and relief efforts continue

KSrelief’s humanitarian and relief efforts continue
Updated 02 February 2025
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KSrelief’s humanitarian and relief efforts continue

KSrelief’s humanitarian and relief efforts continue

RIYADH: The King Salman Humanitarian Aid and Relief Center’s (KSrelief) humanitarian and relief efforts continue with the distribution of food, hygiene supplies as well as the provision of emergency transport services.

In in Ma’arrat Misrin of Syria’s Idlib Governorate, KSrelief handed out 672 food boxes and 672 hygiene kits as part of the second phase of the food aid and hygiene kit distribution project for populations affected by the earthquake in 2025.

In Lebanon’s Akkar Governorate and Miniyeh district, the aid agency during the past week distributed 175,000 bags of bread to Syrian and Palestinian refugees as well as residents of host communities. The initiative was part of the fourth phase of Al-Amal Charitable Bakery Project in the country.

In the Battagram and Buner districts of Khyber Pakhtunkhwa province, as well as the Sukkur district in Sindh province of Pakistan, 2,160 food packages were given to families in flood-affected areas as part of the Food Security Support Project 2025

Meanwhile, KSrelief delivered 125 tonnes of dates to Sudan as a gift from the Kingdom.

In north Lebanon, the KSrelief-funded ambulance service of Subul Al-Salam Social Association in the Miniyeh district carried out 61 missions during the past week, including transporting patients to and from hospitals and treating burn injuries.


Female participation in Riyadh camel racing event

Female participation in Riyadh camel racing event
Updated 02 February 2025
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Female participation in Riyadh camel racing event

Female participation in Riyadh camel racing event
  • The increase in the number of participating women camel riders has also contributed to a rise in the prizes

RIYADH: The number of women taking part in camel racing at the Custodian of the Two Holy Mosques Camel Festival this year has doubled compared to 2024, reported the Saudi Press Agency.

The increase has led the organizing committee to add a second race which includes 18 Saudi female camel riders.

Organized by the Saudi Camel Federation, the festival’s second edition kicked off on Jan. 27 at the Janadriyah Camel Race Track in Riyadh. It will end on Wednesday, Feb. 5 with total prize money of more than SR70 million ($18.7 million) awarded.

The increase in the number of participating women camel riders has also contributed to a rise in the prizes. (SPA photo)

During last year’s festival, 15 female camel riders competed, representing Britain, France, Germany, Iran, Jordan, Oman, Saudi Arabia, the UAE and Yemen.

This year has seen 30 female riders from 12 countries take part: Algeria, Bahrain, Britain, France, Germany, Oman, Poland, Saudi Arabia, Switzerland, the UAE, US and Yemen.

The increase has contributed to a rise in the prize pot, with the first-placed female rider receiving SR60,000.


Multidisciplinary art residency captures spirit of Jeddah’s Al-Balad

Multidisciplinary art residency captures spirit of Jeddah’s Al-Balad
Updated 01 February 2025
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Multidisciplinary art residency captures spirit of Jeddah’s Al-Balad

Multidisciplinary art residency captures spirit of Jeddah’s Al-Balad
  • Bait Shouaib Residency brings together diverse creatives to reflect on ‘movement’ in historic district

JEDDAH: Athr Foundation’s Bait Shouaib Arts Residency in Al-Balad district brought together a filmmaker, curator and two artists, fostering interdisciplinary collaboration over an eight-week program.

The Moving Narratives cycle explored the theme of movement through diverse lenses and transformed the historic Bait Shouaib into an active participant in the creative process.

The exhibition, which was open last month as part of this year’s Islamic Arts Biennale, welcomed visitors to witness interpretations of Jeddah’s cultural and historical essence through contemporary art.

Hayfa Algwaiz created a site-specific mobile installation in Bait Shouaib’s stairwell, or minwar. (Supplied)

Residency director and senior program manager at Athr Foundation, Ibrahim Romman, highlighted the program’s impact and told Arab News: “Each resident’s exploration of ‘movement’ became an invitation to reflect on how stories, spaces and identities shift and intersect.

“Together, their work offered a richly layered response to the theme, presenting interdisciplinary perspectives that bridged the historical with the contemporary.”

Sudanese artist Rund Alarabi has created a poetic video installation bridging the cultural and architectural legacies of the port cities of Jeddah and Suakin, Sudan.

Vietnamese curator Nhat Q. Vo centered his project around Al-Shafi’i Mosque. (Supplied)

Her project delves into the undocumented and intangible aspects of collective memory. She told Arab News: “Living between Frankfurt, Khartoum and Jeddah has fed my practice with various materials and unraveled new ways of misunderstanding. This has led me to question what I consider to be given and rethink my understanding of global and local consensus.”

Featuring sensory elements such as soundscapes composed of everyday cooking utensils, her installation forges an intimate connection to cultural memory. “Sound and moving images act as vessels that challenge our understanding of reality. They highlight overlooked aspects of our existence by infiltrating beyond our preconceived assumptions,” she said.

Filmmaker Nada Al-Mojadedi drew inspiration from Hejazi folklore to craft an immersive narrative that seamlessly blends performance, textiles and moving images. Her dual-room installation transformed her studio into a theatrical set, inviting visitors to journey through time.

Sudanese artist Rund Alarabi’s video installation bridged the architectural legacies of the port cities of Jeddah and Suakin, Sudan. (Supplied)

Al-Mojadedi explained: “I wanted to blur the lines between performer and observer, offering an intimate reflection on identity and memory.”

Speaking about her approach to the theme, she added: “For me, movement transcends the physical; it embodies the unseen — a constant, evolving force of imagination, a ‘quantum dance’ through time and space. This concept guided my exploration of Hejazi folklore, where I intertwined heritage with newly crafted urban legends.

“Immersing myself in Al-Balad’s vibrant life and stories, and inspired by my connection to Bait Shouaib and a visiting butterfly, I created Haleema, a Hejazi urban legend inspired by the untold stories of women who once lived in these spaces.”

Reflecting on her creative process, Al-Mojadedi said: “My work layers the personal with the performative, reimagining space as both a site of storytelling and an active participant in the narrative. Being part of this residency was an enriching experience that allowed us to delve into the dynamic cultural tapestry of Al-Balad and contribute our individual narratives to its enduring story.”

Similarly, another artist, Nhat Q. Vo, a Vietnamese curator and cultural worker, explored the transient histories of Jeddah’s migrant worker communities, centering his project around Al-Shafi’i Mosque, a hub of cultural exchange.

“When I arrived in Al-Balad, I was drawn to its physical environment and the untold stories of the laborers who sustain Historic Jeddah. At first, the language barrier made it difficult to connect, but my discovery of Al-Shafi’i Mosque changed everything.

“The sight of people gathering for iftar, united by faith despite their differences, inspired me to represent their stories through their shared rituals rather than words.”

Speaking about how architecture informed his creative approach, he said: “Architecture became a vessel for these narratives, a place where diverse communities converge. Using over 70 meters of fabric to replace the plastic sufra at the mosque, I allowed the material to absorb the traces of shared meals and human connection.

“The fabric, marked by food crumbs, oil stains and creases, became a tangible record of collective memory. For me, the real inspiration comes from the people whose lives and routines shape the rich tapestry of these spaces.”

Riyadh-based artist and architect, Hayfa Algwaiz, has created a site-specific mobile installation in Bait Shouaib’s stairwell, or minwar, exploring the interplay between movement, space and architectural elements.

Activating the stairwell as a dynamic participant in her narrative, she said: “The subtle movement of the mobile mirrored the ephemeral qualities of light, air and transition experienced in Al-Balad. By focusing on a single element, I was able to honor the historic significance of the space while introducing contemporary artistic interpretations.”

Elaborating on her approach, she said: “As an artist and architect, I strive to bridge the past and the present by focusing on elements that connect them, such as the framed openings in historic structures like Bait Shouaib. These openings, adorned with intricate ornamentation, are constants that I deconstruct and reconstruct to reflect our contemporary times.

“In Saudi Arabia’s rapidly changing urban landscape, I aim to spark a dialogue around what should be preserved and what can evolve. By reinterpreting traditional materials, spatial layouts and ornamentation into modern expressions, I hope to honor our cultural identity while embracing the future.”

Animated by natural airflow, her installation reflects the residency’s ethos of bridging tradition with innovation.

“Architecture has the potential to transform into a living, breathing entity, and I sought to capture that essence,” she said.