Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail

Special Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail
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The Heritage Commission has revealed a number of discoveries related to long-term research into mustatils. (AN Photo/Jaafer Sadiq Alsaleh)
Special Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail
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The Heritage Commission has revealed a number of discoveries related to long-term research into mustatils. (AN Photo/Jaafer Sadiq Alsaleh)
Special Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail
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The Heritage Commission has revealed a number of discoveries related to long-term research into mustatils. (AN Photo/Jaafer Sadiq Alsaleh)
Special Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail
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The Heritage Commission has revealed a number of discoveries related to long-term research into mustatils. (AN Photo/Jaafer Sadiq Alsaleh)
Special Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail
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The Heritage Commission has revealed a number of discoveries related to long-term research into mustatils. (AN Photo/Jaafer Sadiq Alsaleh)
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Updated 19 September 2024
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Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail

Saudi Heritage Commission reveals findings of research into ancient mustatil sites in Hail
  • The aim of the research was to investigate and catalog the massive stone structures in northern Saudi Arabia and the purposes for which they were built
  • The study is part of a larger Green Arabia project exploring the history of human expansion in the Arabian Peninsula during the Paleolithic period

RIYADH: The Saudi Heritage Commission has revealed a number of discoveries related to long-term research into ancient, monumental, rectangular, stone-walled structures in the Kingdom known as mustatils.

The study is part of a larger Green Arabia project exploring the history of human expansion in the Arabian Peninsula during the Paleolithic period.

“We have been working on this Green Arabia Project for about 15 years now, in full collaboration and partnership with our Saudi colleagues, especially from the Heritage Commission, Ministry of Culture, and King Saud University,” said Michael Petraglia, a professor and the director of the Australian Research Center for Human Evolution.

“We have been conducting consistent fieldwork in Saudi Arabia, uncovering archaeological sites that date back as far as 500,000 years (through) to the historic present.”

The study of the mustatils involved rigorous spatial analysis of 169 structures in the southern and western margins of the Nefud Desert in Hail Province.

“One of the major findings of our project is that the environments of Saudi Arabia have changed significantly over time,” Petraglia said.

“We know that the Saudi Arabia we see today is arid, with vast deserts, but it wasn’t always that way. There were periods in the past when Arabia was much greener, which is why we call it the Green Arabia Project.”

During this historical period there was considerably more rainfall, as a result of which there was an abundance of lakes and rivers.

“Those lakes and rivers provided fresh water, supporting hunter-gatherer communities and attracting a diverse array of wildlife,” Petraglia said.

“In the past, we had a lush landscape of savannas and grasslands, inhabited by hunter-gatherers and various animal species. In fact, some of our older archaeological sites even contain remains of hippos and elephants. That’s how green it was back then.”

The aim of the research, the findings of which were published in the scientific journal Holocene, was to investigate and catalog the mustatils in northern Saudi Arabia and explore the purposes for which they were built, and to shed light on the factors that influenced the development of Neolithic settlements in the northwestern Arabian Peninsula.

Researchers documented 169 mustatils, studying their shapes, sizes and locations, in an area covering 44,000 square kilometers, using satellite imaging and field visits that included excavation work.

The experts said the work has provided vital insights into the cultural beliefs, ideas, customs and traditions of the people who lived in the area during the Neolithic period, between 10,000 and 2000 B.C., including significant information about economic, social and religious aspects of their lives.

Their findings suggest the large structures, found on the outskirts of the Nefud Desert on hilltops at elevations of up to 950 meters above sea level, were built over a relatively short period of about 1,200 years, between 5400 and 4200 B.C.

The mustatils therefore offered expansive views of the surrounding landscape, suggesting that the choice of locations was deliberate, and in particular based on proximity to water sources and raw materials.

Excavations at the sites revealed animal remains, including the horns and bones of cattle, gazelle and goats, which are thought to have been offered as sacrifices to deities.

During an event on Wednesday to reveal the results of the research, the CEO of the Saudi Heritage Commission, Jasser Suleiman Al-Harbash, highlighted the role of archaeology in uncovering and understanding ancient societies, as well as advancements that have been made in this field under the Kingdom’s Vision 2030 plan for national development and diversification.

The research was carried out by the Saudi Heritage Commission in collaboration with local and international institutions including the Max Planck Institute for the Science of Human History, the University of Tubingen and the University of Cologne, all in Germany, King's College London, King Abdullah University of Science and Technology, King Saud University, Griffith University and the University of Queensland in Australia, the Smithsonian Institution in the US, and the University of Malta.


French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar

French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar
Updated 05 February 2025
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French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar

French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar

DOHA: Brussels-based French artist Patrick Tresset, known for integrating robotics into his art, is presenting a thought-provoking installation called “Time to Read,” at the exhibition “Ai or Nay? Artificial vs. Intelligent” in Qatar.

The exhibition, taking place at the Media Majlis Museum at Northwestern University until May 15, examines the relationship between artificial intelligence and human creativity through the works of more than 20 regional and international artists.

“Time to Read” invites visitors to sit and read a book for 30 minutes while two robotic arms draw their likenesses. The resulting portraits become part of a global collection which now includes over 50,000 drawings created by similar installations worldwide. 

“The idea came from a lunch I had with a gallery director in Paris,” Tresset told Arab News. “We were talking about reading, social media and how we don’t have the attention anymore. After the lunch, I thought, ‘I should do a piece about that’.”

Tresset’s career took a significant turn when he transitioned from traditional painting to robotics after experiencing a creative block.

“I used to be a painter, but at some point I lost my way. Everything I did didn’t feel right anymore,” he explained. “Because I had a computer when I was very young, I had the intuition I could do something with computational systems, so I switched to that.”

His work with robotics led to installations like “Time to Read” that incorporate elements of performance and audience interaction.

“I realized the theatrical potential, and that is why I started to exhibit those types of installations where the robots are actors. It is a performance. It is an art installation. It is a drawing,” he said. 

Discussing the implications of technology in the creative field, Tresset said: “A pen is a technology, and so is a hammer — you can use them constructively or destructively.”

With “Time to Read,” he added, he wanted to show how technology can help us reflect, reconnect, and slow down.


Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage

Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage
Updated 05 February 2025
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Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage

Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage
  • Event offers deep dive into Kingdom’s rich tradition
  • Locals, visitors explore Saudi literature

RIYADH: The Diriyah Storytelling Festival brings together literary enthusiasts, publishers, and celebrated authors and provides a deep dive into Saudi Arabia’s rich storytelling traditions and evolving literary landscape.

The event, which lasts until Feb. 8, features panel discussions, book signings, live performances, and interactive experiences.

The festival is attracting a diverse audience, including international visitors who engage with Saudi authors to explore locally published books.

One of the standout sessions, “The Roots of the Tale,” featured renowned Saudi novelist and journalist Badryah Al-Bishr, who spoke about the transformation of storytelling into modern literature.

Al-Bishr said: “My participation was all about tracing the wisdom of storytelling to the structure of novels. Since I studied folk tales in my master’s degree while also writing novels, I explored how traditional narratives evolved before written literature.

“Societies have always needed this literary and cultural influence — it serves deep and indirect functions, whether in raising children, comforting sorrowful hearts, or inspiring values and ideals.

“This is what we now call ‘soft power.’ Storytelling has always shaped minds, transferring across cultures like the tale of ‘Cinderella,’ which exists in Russia, Europe, and even Najd.”

A key aspect of the festival is its focus on showcasing Saudi literature to international visitors, offering translations and accessible editions of local works.

Modi Al-Dossari, from the Tashkeel Publishing House, noted the growing interest from foreign attendees, and added: “We’re working on something big here at the festival.

“The visitors are quite diverse, including many foreigners eager to learn about our culture.

“At Tashkeel we have Saudi books and stories translated into English, and they are among our bestsellers. It’s amazing to see our culture being shared in such a smooth and accessible way.”

The availability of translated Saudi literature has helped bridge the gap between local storytelling and a global readership, highlighting the richness of Saudi narratives and their universal appeal.

Beyond book discussions, the Diriyah Storytelling Festival provides visitors with a fully immersive cultural experience, allowing them to explore the historic and artistic depth of Diriyah.

Entry to the festival costs SR40 ($10.66) per person, which includes access to all three locations — Bujairi Terrace, Bab Samhan Hotel, and Al-Zuhayra — as well as shuttle transportation between the venues and parking areas.

The festival also features restaurants, cafes, and boutique shops, making it an ideal destination for both literary and cultural exploration.

Hind Mohammed, who was attending, said: “I loved visiting Diriyah, especially Bujairi Terrace. It’s such a beautiful and enriching experience, with a vibrant atmosphere, and fantastic cafes, restaurants, and children’s play areas.”

Visitors can witness the breathtaking sunset over Diriyah’s landscape — and see a combination of golden light, traditional architecture and peaceful surroundings creating a spectacular and serene experience.

Saudi Arabia’s literary scene has witnessed remarkable growth in recent years, with increasing global recognition for local authors and their works. Events like the Diriyah Storytelling Festival contribute to this transformation by providing a platform for dialogue, creativity, and cultural exchange.


Designers offer up day-to-evening wear at Dubai Fashion Week

Designers offer up day-to-evening wear at Dubai Fashion Week
Updated 04 February 2025
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Designers offer up day-to-evening wear at Dubai Fashion Week

Designers offer up day-to-evening wear at Dubai Fashion Week

DUBAI: Day three of Dubai Fashion Week saw presentations by fashion label BLSSD, New York-based British Iraqi designer Tara Babylon, Dubai-based Lebanese designer Dima Ayad and a multi-designer showcase curated by department store Etoile La Boutique.

Rawdah Mohamed walked the runway for Dima Ayad. (Supplied)

Somali Norwegian model Rawdah Mohamed walked the runway for Ayad, who stayed true to her brand’s founding ethos and offered up chic looks for a diverse range of body shapes. Houndstooth patterns were employed in various hues across the collection, while winter-appropriate fabrics and evening wear options in rippled gold also made an appearance.

Babylon took over the runway with her Autumn/Winter 2025 collection titled “Princess of Thieves.” The designer brought a warm and tropical vibe to the winter collection with Middle Eastern-inspired palm tree prints and earthy green tones. Weaving, printing and crochet techniques were used along with recycled cotton tapestry to create stylish winter pieces.

(Supplied)

The Central Saint Martins and Parsons-educated designer is known for the performance-like aspect of her shows, and Monday night’s showcase in Dubai was no different. Models strode down the runway in a series of artfully created balaclavas that matched the ensembles.

(Supplied)

Meanwhile, Etoile La Boutique’s invite-only showcase was a curated multi-designer collection titled “Twilight to Midnight.” The playful showcase offered up a sunshine yellow taffeta dress alongside a sequined mini-skirt and expertly cut leopard-print trench coat.

UAE-born and bred streetwear and ready-to-wear label BLSSD showcased its signature experimental styles in seasonal colours — a floor-grazing blazer paired with slouchy, masculine trousers was a particular draw at the show.


Ithra’s Kimono Exhibition showcases art, evolution of a Japanese symbol in Saudi Arabia

Ithra’s Kimono Exhibition showcases art, evolution of a Japanese symbol in Saudi Arabia
Updated 04 February 2025
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Ithra’s Kimono Exhibition showcases art, evolution of a Japanese symbol in Saudi Arabia

Ithra’s Kimono Exhibition showcases art, evolution of a Japanese symbol in Saudi Arabia

DHAHRAN: As part of the Japan Cultural Days event that ends on Feb. 8, the King Abdulaziz Center for World Culture (Ithra) is hosting a Kimono Exhibition, offering visitors an up-close look at these traditional Japanese garments synonymous with the country.

Maha Abdulhadi, creative programs specialist at Ithra, explained the significance of the exhibition to Arab News.

The patterns and fabrics of kimonos often reflect seasonal changes, festivals and artistic aesthetics, further emphasizing their connection to Japanese culture. (Supplied)

“The Kimono Exhibition at Japan Cultural Days is not just a fashion showcase — it (is) a deep cultural experience. It celebrates Japan’s artistic legacy, demonstrates the adaptability of tradition in a modern world, and strengthens cultural exchange between Japan and global audiences,” Abdulhadi said.

As one of the most iconic symbols of Japanese tradition and craftsmanship, the kimono has served as a representation of Japan’s rich cultural identity and its textile artistry, showcasing centuries-old techniques of dyeing, weaving and embroidery, while also demonstrating how contemporary designers have reinterpreted the kimono for modern sentiments.

The exhibition also highlights the significance of kimonos in different celebratory occasions, showcasing how their styles vary depending on the event.

The selection of kimonos was curated by Ithra’s Museum & Exhibition unit. (Supplied)

The patterns and fabrics of kimonos often reflect seasonal changes, festivals and artistic aesthetics, further emphasizing their connection to Japanese culture.

This free exhibition showcases 17 kimonos in total, carefully selected to highlight the evolution of this iconic Japanese attire.

Ten kimonos were loaned from the Japan Kimono Museum in Fukushima. These pieces represent antique kimonos from different historical periods, reflecting the craftsmanship and aesthetic sensibilities of the Meiji (1868-1912), Taisho (1912-1926), and Showa (1926-1989) eras. The Japan Kimono Museum, which opened in 2022, houses the largest collection of kimonos in Japan, with approximately 10,000 items in total, including accessories.

As part of the Japan Cultural Days event that ends on Feb. 8, the King Abdulaziz Center for World Culture (Ithra) is hosting a Kimono Exhibition. (Supplied)

 “I would like to add that the design of one of the uchikake kimono displayed from the Japan Kimono Museum is by Kansai Yamamoto, a fashion designer who was active in Paris Fashion Week and other events,” Abdulhadi added.

In addition to the historical pieces, seven kimonos in the exhibition came from a private collector based in Japan, showcasing modern interpretations of the traditional garment.

The selection of kimonos was curated by Ithra’s Museum & Exhibition unit. The curatorial team focused on presenting the evolution of kimonos, emphasizing their intricate dyeing techniques, exquisite craftsmanship and regional styles that tell captivating stories of tradition and heritage.

Beyond being a fashion exhibition, the event as a whole, which began on Jan. 23, was created to foster cultural exchange as the two countries celebrate 70 years of Saudi-Japan diplomatic relations.


Inaugural Art Week Riyadh set for April

Inaugural Art Week Riyadh set for April
Updated 04 February 2025
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Inaugural Art Week Riyadh set for April

Inaugural Art Week Riyadh set for April

RIYADH: The first-ever edition of Art Week Riyadh will be held from April 6-13, hosted by the Saudi Visual Arts Commission.

Set to run under the theme “At The Edge,” the event will gather local and international galleries, cultural institutions, artists, patrons, collectors, and art enthusiasts at a week-long event to take place across the city of Riyadh, headquartered at JAX District in Diriyah.

Alongside exhibitions, Art Week Riyadh will put on a program of talks, workshops, and performances for the public.

According to a released statement, the “inaugural edition will explore thresholds, transitions, and liminal spaces, reflecting Riyadh’s role as a center of global cultural engagement.”

Dina Amin, CEO of the Visual Arts Commission, commented: “Art Week Riyadh is about building a robust and inclusive framework—one that supports innovation, creativity and thought leadership, and an unwavering commitment to preserving and advancing culture. By bringing together diverse elements of the Saudi art sector, it aims to empower and nurture practitioners and foster a shared vision of growth, opportunity, and cultural enrichment.”