‘The Bear’ — still a great dish, but in danger of going to waste

‘The Bear’ — still a great dish, but in danger of going to waste
Ayo Edibiri as Sydney and Jeremy Allen White as Carmen in season three of 'The Bear.' (Supplied)
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Updated 04 July 2024
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‘The Bear’ — still a great dish, but in danger of going to waste

‘The Bear’ — still a great dish, but in danger of going to waste
  • Season three of the acclaimed drama delivers high-quality performances again, but little progress

DUBAI: Season one of ‘The Bear’ was one of television’s greatest surprise hits. A show about the minutiae of everyday life in a restaurant kitchen shouldn’t have been this good, and certainly shouldn’t have appealed to both critics and audiences on such a large scale.

That it did was largely because it’s not really about that. It’s about the sacrifices often required to fulfill creative potential — to become truly great at something. In this case, that creative endeavor happens to be cooking.

It’s also about more than that: Grief, friendship, family, kindness, mental health, love in all its forms… the list goes on.

Season three continues all these themes. And the storytelling techniques remain excellent, from the acting to the dialogue and the cinematography. And it’s as tense, claustrophobic and anxiety-inducing as ever. But the story itself? That doesn’t really move on. And that’s a problem.

Carmen (Jeremy Allen White), the driving force behind the titular restaurant, spends most of the season close to breaking point, driven both by his split from season two love interest Claire (Molly Gordon — seen only in flashbacks for the majority of this season) and the self-doubt that he blames largely on his time working for an abusive former boss Chef David Fields (Joel McHale). Episode one is largely spent on a flashback story of that time, and the finale gives Carmen a chance to confront his tormentor, a showdown that brings Carmen little relief.

Throughout the season, we see Carmen bringing much of the same toxicity into his own kitchen in his quest for the Michelin star he has promised his protégé Sydney (Ayo Edebiri) they will attain. Syd, lest we forget, is supposed to be a partner in the venture, but the will-she-sign-won’t-she-sign-the-agreement story is somehow dragged out over all 10 episodes without being resolved.

That’s typical of the series as a whole. The characters are seemingly all stuck (and if that’s some kind of commentary on the creative process from the writers, then they’ve really overdone it). It’s still a compelling watch — thanks largely to the cast’s obvious love for the work; once again Ebon Moss-Bachrach is a standout as Carmen’s ‘cousin’ Richie, but all the regulars are great — but in terms of forward progress, season three is severely lacking. A large percentage of it consists of flashbacks. And yes, it’s nice to learn more about some of the characters’ backgrounds, but much of that could have been done in far less screentime, and maybe then the show could have looked to the future.

At the moment, “The Bear” feels like a (very good) show treading water. And even the most talented of swimmers can only do that for so long before they need to start going somewhere again. Or sink.


Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign

Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign
Updated 10 February 2025
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Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign

Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign
  • Taibah shared behind-the-scenes photographs from the campaign shoot on Instagram, jokingly captioning the post “GCCCCC. The Gulf Cooperation Council Countries’ Cutest Creatives Crew, brought together by @loewe”

DUBAI: Spanish luxury fashion house Loewe has unveiled a Ramadan campaign directed by Lebanese Sudanese auteur Dana Boulos and starring Saudi actress and filmmaker Sarah Taibah and Saudi Olympic rower Husein Alireza.

The cast is rounded out by Omani artist Mays Almoosawi, Kuwaiti visual artist Najd Al-Taher, Emirati film director Sarah Al-Hashimi, Kuwaiti DJ Cascou and Bahraini contemporary artist Salman Al-Najem.

Taibah shared behind-the-scenes photographs from the campaign shoot on Instagram, jokingly captioning the post “GCCCCC. The Gulf Cooperation Council Countries’ Cutest Creatives Crew, brought together by @loewe.”

The campaign promotes the brand’s Silver Capsule Collection, its first-ever release for Ramadan by designer JW Anderson. With the concept, creative direction, casting and production by Between Us Boys Studio, and post-production handled by DAHOUL Studio, the clip focuses on a clock ticking down until iftar, the meal that breaks a Muslim’s fast during Ramadan.

The Silver Capsule Collection released at select stores the Middle East and at Harrods in London, on Sunday.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dana Boulos (@danaboulos)

The collection sees the brand’s signature bags get a Ramadan makeover; the Puzzle bag appears in vetiver crocodile, while the Flamenco clutch and Squeeze bag are offered in metallic textures with intricate beading. The ready-to-wear selection boasts silky belted pajamas, soft nappa leather sets, and day-to-night silk dresses.

Los Angeles-based Boulos, who directed the campaign, has worked on short films, music videos, and fashion commercials for the likes of Mercedes Benz, Glossier, and Farfetch.

For her part, Taibah shot to fame for her show “Jameel Jeddan,” the first Saudi show starring, written, and created by a Saudi woman.

The plot of the 2022 release was anything but typical. Strong-headed Jameel wakes up from a five-year coma and is forced to finish her last year in high school and rejoin a society she no longer associates with. As a coping mechanism, she begins to experience glitches in the form of an animated alternative reality.

Taibah is currently working on off-beat Saudi romcom “A Matter of Life and Death,” which she wrote. The film is being directed by Anas Batahaf and will star Taibah and Yaqoub Al-Farhan.


Saudi-backed film ‘Seeking Haven for Mr. Rambo’ gets US festival debut

Saudi-backed film ‘Seeking Haven for Mr. Rambo’ gets US festival debut
Updated 10 February 2025
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Saudi-backed film ‘Seeking Haven for Mr. Rambo’ gets US festival debut

Saudi-backed film ‘Seeking Haven for Mr. Rambo’ gets US festival debut

DUBAI: Backed by Saudi Arabia’s Red Sea Film Fund, Egyptian filmmaker Khaled Mansour’s “Seeking Haven for Mr. Rambo” had its US premiere at the 40th Santa Barbara International Film Festival.

With screenings on Feb. 9, 11, and 14 at the US festival, the film travelled to the country after screenings at the Venice Film Festival and Jeddah’s Red Sea International Film Festival (RSIFF) in 2024.

The first Egyptian film to screen at September’s Venice Film Festival in 12 years, “Seeking Haven for Mr. Rambo” tells the story of protagonist Hassan as he searches for a safe haven for his best friend, his beloved dog Rambo, after the canine is threatened by their landlord.

“The story of ‘Seeking Haven for Mr. Rambo’ focuses on my generation and, through Hassan’s journey, we went deep into our thoughts, beliefs, fears, and sense of belonging. This project took about eight years to make because I intended to present unique and genuine cinema,” Mansour told Arab News at December’s RSIFF.

The auteur, who has also directed three short films and a mini-series titled “Rawaa Reads” (2023), continued: “It is my first feature-length narrative film, and this film is not (just) about a dog and his friend, but it is about the complexities of our generation, highlighting (the) struggle … that we go through in our society.”

The film was inspired by a real incident that resulted in an Egyptian court jailing four men in 2015 over the brutal killing of a dog, which was filmed and sparked outrage when the video went viral.


Sotheby’s ‘Origins’ auction in Diriyah achieves more than $17 million in sales, with Saudi artists shining

Sotheby’s ‘Origins’ auction in Diriyah achieves more than $17 million in sales, with Saudi artists shining
Updated 09 February 2025
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Sotheby’s ‘Origins’ auction in Diriyah achieves more than $17 million in sales, with Saudi artists shining

Sotheby’s ‘Origins’ auction in Diriyah achieves more than $17 million in sales, with Saudi artists shining

RIYADH: Sotheby’s inaugural auction in Saudi Arabia, titled “Origins,” concluded on Saturday with a total of $17,283,840 in sales in the fine art and luxury categories.

The historic event at Diriyah’s Bujairi Terrace was a turning point for the Kingdom’s art and luxury scene, with Saudi artists garnering significant attention.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@visitdiriyah)

Jerry Inzerillo, CEO of Diriyah Company, highlighted the significance of the collaboration between Diriyah and Sotheby’s.

“A few years ago, we decided that Sotheby’s, as a 277-year-old brand, had to match up with Diriyah because the value systems were the same, and you can’t be Sotheby’s without being in Diriyah,” he said in his opening remarks.

The modern and contemporary art section featured works by Saudi artists that collectively realized $1.1 million in sales.

Abdulhalim Radwi’s vibrant 1984 market scene set a personal auction record, selling for $264,000 after fierce bidding online and in the room. (Supplied)

Mohammed Al-Saleem’s untitled work, sourced directly from the artist’s daughter, led the Saudi work on offer.

The piece, blending abstract Arabic calligraphy with Al-Saleem’s vision of Saudi landscapes, sparked intense competition among four bidders before selling for a remarkable $660,000 — triple its pre-sale estimate.

Abdulhalim Radwi’s vibrant 1984 market scene set a personal auction record, selling for $264,000 after fierce bidding online and in the room.

Ahmed Mater’s “Illumination Diptych (Makkiah Tale)” exceeded expectations at $102,000.

Mater, one of Saudi Arabia’s most acclaimed contemporary artists, is internationally celebrated, with works displayed by institutions throughout the Arab world, the UK and the US.

Rene Magritte’s “L’Etat de veille” sold for $1.2 million. (Supplied)

Maha Malluh’s “Magadeer” (from the “Food for Thought” series), inspired by the cultural and spiritual heritage of the Najd area of the Kingdom, sold for $84,000, also surpassing its estimate.

When it came to international works, surrealist Rene Magritte’s “L’Etat de veille” sold for $1.2 million and Fernando Botero’s “Society Woman” made $1 million. Meanwhile, Banksy’s “Subject to Availability” from his series of vandalised oils, sold for $1.2 million.

The luxury segment dazzled collectors with an extraordinary selection of rare items, such as a Patek Philippe Grand Complication watch, a Cartier diamond necklace from the Art Deco era, and a limited-edition Hermes Birkin bag crafted from exotic leather.

Collectors from 45 countries took part in the auction, demonstrating its global appeal, while nearly one-third of the lots were bought by buyers from Saudi Arabia.

Additionally, more than 30 percent of participants were under the age of 40, reflecting the growing interest in art and luxury items among younger generations.

 


Meet your sole mate at Sneaker Con in Riyadh

Sneaker Con features more than 150 brands showcasing curated collections of rare sneakers, fashion items, and accessories.
Sneaker Con features more than 150 brands showcasing curated collections of rare sneakers, fashion items, and accessories.
Updated 08 February 2025
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Meet your sole mate at Sneaker Con in Riyadh

Sneaker Con features more than 150 brands showcasing curated collections of rare sneakers, fashion items, and accessories.
  • Visitors can buy, sell, and trade rare and limited-edition sneakers

RIYADH: Sneaker Con in Riyadh has opened its doors to enthusiasts and collectors, offering a platform to buy, sell, and trade rare and limited-edition items as part of Riyadh Season.

Billed as “The Greatest Sneaker Show on Earth,” Sneaker Con is one of the world’s largest sneaker conventions, which has previously been held in cities across North America, Europe, and Asia. Its Riyadh edition — the first in Saudi Arabia — runs until Feb. 19 at ANB Arena.

A pair of signed sneakers by basketball player Michael Jordan, featured at Sneaker Con Riyadh. (AN photo by Hajar AlQusayer)

The event provides visitors with the opportunity to engage with industry experts and meet influencers in the sneaker community.

One visitor, Fares Indejani, highlighted the growing sneaker culture in Riyadh, pointing out that sneakers have become an integral part of personal style and expression. He told Arab News about the impact of the event on the local sneaker community.

These sneaker communities are micro-communities that are often isolated and don’t really have a dedicated space. But this event changes that … you can just walk in and meet others like you.

Fares Indejani, Sneaker enthusiast

“These sneaker communities are micro-communities that are often isolated and don’t really have a dedicated space,” he said. “But this event changes that … you can just walk in and meet others like you.

Visitors engaging with various shops and exploring exclusive sneakers at Sneaker Con Riyadh. (Supplied)

“You get an idea of what direction we’re heading toward, and that’s valuable knowledge for investors and business owners,” he added. “Really knowing what kind of communities are popping up, seeing how loud and real they are, and recognizing that they exist, have a voice, and are moving, is crucial.”

Abdulmohsen Al-Ahmari, another visitor, said the event provides an opportunity to see sneakers that are not typically available.

“Making connections at Sneaker Con and getting to know people helps me later,” he said.

Chase Young, a sneaker trader and founder of Culture Kicks, said: “There are people with crazy pairs of shoes and a lot of different collectors’ items here, and very high-end shoes, so (the market) is definitely big here.”

Sneaker Con features more than 150 brands showcasing curated collections of rare sneakers, fashion items, and accessories.

 


Angelina Jolie stuns in Elie Saab at Critics’ Choice Awards

Angelina Jolie stuns in Elie Saab at Critics’ Choice Awards
Updated 08 February 2025
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Angelina Jolie stuns in Elie Saab at Critics’ Choice Awards

Angelina Jolie stuns in Elie Saab at Critics’ Choice Awards

DUBAI: Hollywood icon Angelina Jolie turned heads on Friday at the Critics’ Choice Awards, wearing a gown by renowned Lebanese designer Elie Saab.

The dress was from the couturier’s spring/summer 2025 collection. It featured intricate lace detailing throughout, with a flowing, floor-length silhouette. The ensemble had delicate short sleeves, a cinched waistline that highlighted her figure, and a sheer overlay.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Jolie completed the look with a bold red lip that contrasted with the gown’s soft tones, and styled her hair in loose, effortless waves.

Demi Moore won best actress at the event, confirming her status as favorite for the Oscars.

Moore’s horror film “The Substance” won best original screenplay at the glitzy Los Angeles gala, and critics crowned “Anora” as the year’s best picture.

Moore’s triumph followed her victory at the Golden Globes in January, and puts her on track to cap a remarkable career renaissance at next month’s Oscars.

“This has been such a wild ride,” said Moore, 62, who made a string of hit films in the 1990s, but came to be known as much for her love life as her acting in subsequent decades.

That changed with “The Substance,” a body-horror flick about an aging celebrity who injects a serum to temporarily live again in her younger body.

Nodding to the film’s frequently bloody and horrifying depictions of warped bodies, Moore thanked critics for rewarding “this genre of horror films, that are overlooked and not seen for the profundity that they can hold.”