‘New Codes of Luxury in Saudi Arabia’ shows concept of luxury is shifting

‘New Codes of Luxury in Saudi Arabia’ shows concept of luxury is shifting
A new generation of Saudi consumers is dispelling stereotypes associated with luxury, moving away from outdated concepts of what ‘luxury’ entails. (Shutterstock)
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Updated 21 February 2024
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‘New Codes of Luxury in Saudi Arabia’ shows concept of luxury is shifting

‘New Codes of Luxury in Saudi Arabia’ shows concept of luxury is shifting

LONDON: A new report from The Future Laboratory and Together Group not only demonstrates the emergence of the Kingdom of Saudi Arabia as a cultural epicenter for luxury consumers, but also showcases ways in which the people and businesses of the region are redefining traditional understandings of how and why such luxury is experienced.

“New Codes of Luxury in Saudi Arabia” presents a detailed analysis of key trends in the market, exploring how the notion of luxury is shifting with the emergence of a new generation of consumers – who are leaving behind outdated tropes and playing a vital, active role in defining new standards of luxury.

For one, a new generation of Saudi consumers is dispelling stereotypes associated with luxury, moving away from outdated concepts of what ‘luxury’ entails, and contributing to a far more nuanced landscape – where the very nature of luxury is determined by factors such as authenticity, locality, exclusivity, sustainability, innovation and accessibility.

Helping to define such a paradigm shift, the new report includes insights from a wide range of expert voices, who explain how the priorities of this new generation of high-net-worth Saudis have evolved in recent years – and how these evolving values look set to influence the luxury market in KSA in the future.

“Saudis expect something that looks like them, that acts like them, that relates to them, as opposed to something that is entirely imported,” says Rae Joseph, creative consultant and founder of fashion house 1954. This desire for culturally relevant luxury doesn’t mean that established, international brands no longer hold any appeal – but it does point to a more dynamic consumer landscape featuring luxury products and experiences that resonate with Saudis on a more personal level. 

And these modern Saudi consumers are interested in more than just high-value products from well-known brand names. In fact, the report details how the changing luxury landscape now includes a plethora of new sectors, from technology and wellbeing, to exciting advances in personalized experiences and ecotourism.

And it’s more than just a passive shift – the emerging skillsets of Saudi Arabia’s next generation sees them ideally placed to define and create these new concepts of luxury, paving the way for a new wave of technologically nimble, global creatives who also place great value in luxury experiences and products that are specific to Saudi Arabia itself.

The youthful population of KSA is another key factor in the country’s evolving concept of luxury. As outlined in “New Codes of Luxury in Saudi Arabia”, that young generation prioritizes luxury experiences, digital engagement and a blend of local and global cultural identity. Such demographic patterns influence how young Saudis want to spend their money – and also need to be keenly observed by those wanting to build exciting, regional brands that connect with these local audiences, as well as developing and growing on an international platform.

“Young Saudis want to respect their culture and live their culture, but they want to be global,” explains Skye Fisher, chief experience officer, Mohammed Bin Salman Nonprofit City, who is featured in the report. “They want to assimilate with the rest of the world.”

Appreciating the subtleties of this balance between local and global is key to understanding how this youthful generation is impacting on the luxury consumer landscape.

“These are Millennials and Gen Z with spending power,” Rachel Ingram (co-CEO of creative agency Folk) tells the report. “And they’re highly engaged on social media. That’s where they’re chatting to their friends. That’s where they’re browsing and that’s where they’re shopping.”

And these young, influential spenders place great value on supporting and championing Saudi businesses. As the report lays out, 95% of affluent 18-34-year-old Saudis regard it as important to support and engage with Saudi-first enterprises. While there remains a place for the existing, well-known brands familiar to many, KSA’s new generation also places value in localized offerings – products and services from names everybody knows, but tailored to a specific Saudi population which is well travelled, well educated, and proud of its history.

It makes for a fascinating landscape – KSA’s new generation wants more than just the same products from the same brands. Instead, this new notion of luxury has expanded to include more than just ‘things’, and now ascribes value to experiences and personalization. And brands – both new and existing – must connect with consumers on a deeper, more personal level in order to secure engagement with this young, affluent population. Because these consumers are not just responsible for defining what is understood by luxury today – they also look sure to play a key role in building what we understand by luxury tomorrow.


Inside Red Sea Global’s newly opened Desert Rock Resort 

 Inside Red Sea Global’s newly opened Desert Rock Resort 
Updated 9 min 21 sec ago
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Inside Red Sea Global’s newly opened Desert Rock Resort 

 Inside Red Sea Global’s newly opened Desert Rock Resort 

RED SEA: As Saudi Arabia expands its portfolio of luxury hotel offerings, the newly opened Desert Rock Resort stands out for its otherworldly terrain and exceptional service. 

There will be no quibbling about the benefits of Saudi Arabia versus the Maldives here — an issue that has crept up when potential visitors discuss Red Sea Global’s other outposts, such as the futuristic overwater resort Shebara. When it comes to Desert Rock there is simply nowhere else like it and the resort has leaned in heavily to make use of the spectacular landscape. 

Set amid humbling mountains pockmarked with caves, the resort is a 20-minute drive from Red Sea International airport. 

Desert Rock Resort. (Supplied)

Home to 32 Wadi Villas on the valley floor, 17 Cliff Hanging Villas, four Mountain Crevice Villas, one Royal Villa and and 10 Mountain Cave Suites carved into the rockface itself — yes, it’s as mind-boggling as it sounds — the hotel boasts private, temperature-controlled pools in every room and amenities that go a long way to helping guests understand the eye-watering price tag — Dyson hairdryers, Frette sheets and an array of luxe poolside accessories — while an assigned “Villa Host” takes care of your every need via WhatsApp. 

While the mountain-top Cave Suites and their views of endless rolling deserts and soaring rust-colored mountains are an influencer’s ticket to viral fame, the two-bedroom Mountain Crevice Skyline Villa is ideal for a larger group — with a conversation-starting bathtub (it fit at least five giddy, fully-clothed adults on our press tour) and glass-ringed fire pit. 

Desert Rock Resort. (Supplied)

Descend to the valley floor and Oppenheim Architecture’s bunker-like structures melt into the Martian landscape. Use your chic wooden key card — the details are everything at Desert Rock — and you’ll be met by cozy interiors by Toronto’s Studio Paolo Ferrari. Earthy tones, a focus on luxury stone and bronze-brown accents make the large villas and suites opulent without losing the warmth of the desert. 

A pool, kids’ club and star-gazing evenings are complemented by the Akun adventure hub, which offers thrilling ziplining, via ferrata, abseiling, rock climbing and archery, with more activities planned for 2025. 

Desert Rock Resort. (Supplied)

A team is on hand to keep visitors safe, but this is no easy experience — we climbed up to the ziplining jump off point on the bare mountain face, at some points resorting to all fours as we followed a rough path hewn into the rock that often became no path at all. 

That refusal to bend to lazy luxury is also shown in the 622 steps one can climb to the highest point of the hotel, an observatory reached by crossing a rope bridge at a dizzying height. The lack of a lift was a wise choice –— it may not be easily accessible but that is exactly what makes the astounding view once there so worth it. 

Desert Rock Resort. (Supplied)

The flipside, of course, is that certain areas of the resort are not accessible for guests with physical disabilities. It’s also important to note that — due to the space this hotel takes up — travel between rooms, restaurants and the spa is usually by buggy. 

Desert Rock Resort. (Supplied)

The four main eateries — NYRA, helmed by Turkish chef Osman Sezener whose restaurant in Bodrum has one Michelin star; MICA, a buzzy mocktail bar that also offers small plates; breakfast spot Basalt, which transforms into an Indian eatery at night; and the poolside Wadi that offers Peruvian cuisine — rival the brightest stars in the Gulf’s major cities, with NYRA and Wadi standing out for their fresh, colorful dishes including tender beef tongue and artfully presented seafood plates. Many of the courses were presented with specific beverage pairings that drew out the flavors of their accompanying dish and pushed experimental mocktails to heights not before experienced by this writer. 

Round that all off with a spa that boasts views of soaring, craggy cliffs, as well as indoor and outdoor treatment rooms, a water therapy room and a couple’s hammam room, and you’ve got the ideal recipe for a serene sojourn in the Saudi desert. 


Jordanian artist aims to ‘inspire and heal’ through her book

Jordanian artist aims to ‘inspire and heal’ through her book
Updated 3 min 14 sec ago
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Jordanian artist aims to ‘inspire and heal’ through her book

Jordanian artist aims to ‘inspire and heal’ through her book
  • Aida Murad hopes that she can help people to feel seen through life lessons and navigate the different emotions that humans experience
  • Murad: In the book, you would find harder emotions like sadness and confusion and being lost, and also happier ones, and how to navigate both

RIYADH: Jordanian-American impact artist Aida Murad hosted an exhibition in Riyadh’s St. Regis on Wednesday, commemorating the launch of her new book, “Life Is a Miracle.”

Through the book, Murad told Arab News, “I want them to feel seen. I think that my purpose in life is to help people feel seen, heard and loved. I think because I wanted that the most, and there is something so beautiful when a human sees you and loves you, even when they see you fully.”

She hopes that she can help people to feel seen through life lessons and navigate the different emotions that humans experience.

“In the book, you would find harder emotions like sadness and confusion and being lost, and also happier ones, and how to navigate both. As Arabs, I don’t think we do a good job of talking about the spectrum of emotions,” she said.

Through her art and her book, Murad hopes to inspire readers to appreciate and celebrate the smallest of miracles in life, such as breathing.

“The title, ‘Life is a Miracle,’ came to me because I find that people, including my past self, would wait until big things happened in our lives to be like, ‘Wow, this is a miracle’ or ‘Wow, this is beautiful.’

“I started realizing that to train myself to be happier, whole, human and more content, I started training myself to notice the small miracles,” she said.

“Just by me waking up, you know how many miracles have happened, you know how many trillions of cells are moving,” Murad said.

The book has been five years in the making: “The real-time that it took was the courage. I feel that the content could have been ready years ago, but I think it’s the courage to take a step out and say, ‘This is me.’”

Murad stressed the importance of courage when it came to publishing the book: “You just have to trust and share.”

The book has sections titled “key messages” that serve as reminders of important life lessons.

She encourages readers to open to a random page, find their message of the day, or flip through until they connect to a message.

“I decided to compile my pieces into the ones that are ready to be shared with the world and their stories and a key life message because I don’t want people just to be passive; I want them to be involved, and that is why I created the creative activity,” she said.

Along with the launch of her book, Murad is co-hosting an art exhibition at St. Regis Riyadh, which she described as her “dream partner.”

The exhibition that opened on Wednesday features 30 paintings with a common theme of “accepting your higher mission on Earth.

“It’s about connecting with your inner purpose and accepting it,” the artist said.

Each of her pieces comes with lessons and themes that help people to unlock their mission in life through greater understanding.

Murad underlined that her aim through the book and her art was to heal, inspire and help people be seen.

Originally from Jordan, Murad has lived in US cities such as New York, Washington, D.C. and Los Angeles. She has called Riyadh home for more than a year.

Speaking about her year living in Saudi Arabia, Murad said: “The people are the kindest people I have ever met. I do not want to be anywhere else in the world other than here. The land inspires me, the energy inspires me, everything, and I am grateful to be here.”


French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar

French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar
Updated 05 February 2025
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French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar

French artist Patrick Tresset brings robotic art to ‘Ai or Nay?’ exhibition in Qatar

DOHA: Brussels-based French artist Patrick Tresset, known for integrating robotics into his art, is presenting a thought-provoking installation called “Time to Read,” at the exhibition “Ai or Nay? Artificial vs. Intelligent” in Qatar.

The exhibition, taking place at the Media Majlis Museum at Northwestern University until May 15, examines the relationship between artificial intelligence and human creativity through the works of more than 20 regional and international artists.

“Time to Read” invites visitors to sit and read a book for 30 minutes while two robotic arms draw their likenesses. The resulting portraits become part of a global collection which now includes over 50,000 drawings created by similar installations worldwide. 

“The idea came from a lunch I had with a gallery director in Paris,” Tresset told Arab News. “We were talking about reading, social media and how we don’t have the attention anymore. After the lunch, I thought, ‘I should do a piece about that’.”

Tresset’s career took a significant turn when he transitioned from traditional painting to robotics after experiencing a creative block.

“I used to be a painter, but at some point I lost my way. Everything I did didn’t feel right anymore,” he explained. “Because I had a computer when I was very young, I had the intuition I could do something with computational systems, so I switched to that.”

His work with robotics led to installations like “Time to Read” that incorporate elements of performance and audience interaction.

“I realized the theatrical potential, and that is why I started to exhibit those types of installations where the robots are actors. It is a performance. It is an art installation. It is a drawing,” he said. 

Discussing the implications of technology in the creative field, Tresset said: “A pen is a technology, and so is a hammer — you can use them constructively or destructively.”

With “Time to Read,” he added, he wanted to show how technology can help us reflect, reconnect, and slow down.


Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage

Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage
Updated 05 February 2025
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Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage

Diriyah Storytelling Festival breathes new life into Saudi Arabia’s literary heritage
  • Event offers deep dive into Kingdom’s rich tradition
  • Locals, visitors explore Saudi literature

RIYADH: The Diriyah Storytelling Festival brings together literary enthusiasts, publishers, and celebrated authors and provides a deep dive into Saudi Arabia’s rich storytelling traditions and evolving literary landscape.

The event, which lasts until Feb. 8, features panel discussions, book signings, live performances, and interactive experiences.

The festival is attracting a diverse audience, including international visitors who engage with Saudi authors to explore locally published books.

One of the standout sessions, “The Roots of the Tale,” featured renowned Saudi novelist and journalist Badryah Al-Bishr, who spoke about the transformation of storytelling into modern literature.

Al-Bishr said: “My participation was all about tracing the wisdom of storytelling to the structure of novels. Since I studied folk tales in my master’s degree while also writing novels, I explored how traditional narratives evolved before written literature.

“Societies have always needed this literary and cultural influence — it serves deep and indirect functions, whether in raising children, comforting sorrowful hearts, or inspiring values and ideals.

“This is what we now call ‘soft power.’ Storytelling has always shaped minds, transferring across cultures like the tale of ‘Cinderella,’ which exists in Russia, Europe, and even Najd.”

A key aspect of the festival is its focus on showcasing Saudi literature to international visitors, offering translations and accessible editions of local works.

Modi Al-Dossari, from the Tashkeel Publishing House, noted the growing interest from foreign attendees, and added: “We’re working on something big here at the festival.

“The visitors are quite diverse, including many foreigners eager to learn about our culture.

“At Tashkeel we have Saudi books and stories translated into English, and they are among our bestsellers. It’s amazing to see our culture being shared in such a smooth and accessible way.”

The availability of translated Saudi literature has helped bridge the gap between local storytelling and a global readership, highlighting the richness of Saudi narratives and their universal appeal.

Beyond book discussions, the Diriyah Storytelling Festival provides visitors with a fully immersive cultural experience, allowing them to explore the historic and artistic depth of Diriyah.

Entry to the festival costs SR40 ($10.66) per person, which includes access to all three locations — Bujairi Terrace, Bab Samhan Hotel, and Al-Zuhayra — as well as shuttle transportation between the venues and parking areas.

The festival also features restaurants, cafes, and boutique shops, making it an ideal destination for both literary and cultural exploration.

Hind Mohammed, who was attending, said: “I loved visiting Diriyah, especially Bujairi Terrace. It’s such a beautiful and enriching experience, with a vibrant atmosphere, and fantastic cafes, restaurants, and children’s play areas.”

Visitors can witness the breathtaking sunset over Diriyah’s landscape — and see a combination of golden light, traditional architecture and peaceful surroundings creating a spectacular and serene experience.

Saudi Arabia’s literary scene has witnessed remarkable growth in recent years, with increasing global recognition for local authors and their works. Events like the Diriyah Storytelling Festival contribute to this transformation by providing a platform for dialogue, creativity, and cultural exchange.


Designers offer up day-to-evening wear at Dubai Fashion Week

Designers offer up day-to-evening wear at Dubai Fashion Week
Updated 04 February 2025
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Designers offer up day-to-evening wear at Dubai Fashion Week

Designers offer up day-to-evening wear at Dubai Fashion Week

DUBAI: Day three of Dubai Fashion Week saw presentations by fashion label BLSSD, New York-based British Iraqi designer Tara Babylon, Dubai-based Lebanese designer Dima Ayad and a multi-designer showcase curated by department store Etoile La Boutique.

Rawdah Mohamed walked the runway for Dima Ayad. (Supplied)

Somali Norwegian model Rawdah Mohamed walked the runway for Ayad, who stayed true to her brand’s founding ethos and offered up chic looks for a diverse range of body shapes. Houndstooth patterns were employed in various hues across the collection, while winter-appropriate fabrics and evening wear options in rippled gold also made an appearance.

Babylon took over the runway with her Autumn/Winter 2025 collection titled “Princess of Thieves.” The designer brought a warm and tropical vibe to the winter collection with Middle Eastern-inspired palm tree prints and earthy green tones. Weaving, printing and crochet techniques were used along with recycled cotton tapestry to create stylish winter pieces.

(Supplied)

The Central Saint Martins and Parsons-educated designer is known for the performance-like aspect of her shows, and Monday night’s showcase in Dubai was no different. Models strode down the runway in a series of artfully created balaclavas that matched the ensembles.

(Supplied)

Meanwhile, Etoile La Boutique’s invite-only showcase was a curated multi-designer collection titled “Twilight to Midnight.” The playful showcase offered up a sunshine yellow taffeta dress alongside a sequined mini-skirt and expertly cut leopard-print trench coat.

UAE-born and bred streetwear and ready-to-wear label BLSSD showcased its signature experimental styles in seasonal colours — a floor-grazing blazer paired with slouchy, masculine trousers was a particular draw at the show.